Stephanie Crugnola (left) is the creator and host of Protest Too Much, a Shakespeare Showdown podcast that pits Stephanie against performers, educators, and scholars in a weekly battle of Shakespearean comparisons, challenges, and ‘best ofs’. Recently, Stephanie debated with Austin Tichenor the question of what is “Shakespeare’s Funniest Non-Comedy,” a conversation that lasted 45 minutes, and a 15-minute abridgment of which you can hear below. Featuring: Shakespearean pet peeves; the danger of sleeping on the Histories; how Shakespeare is all about contrasts; backup from Samuel Johnson in 1765; the comedy of ‘sad-off’s; comparisons to Monty Python and The Death of Stalin; and how Shakespeare is the king of tentpole media! (Length 20:38)
Dramaturg Kate Pitt joins us for a deep dive into the creation of the script for Hamlet’s Big Adventure! (a prequel), on which she cast her dramaturgical magic (and which we’ll finally get to tour once this stupid pandemic is over). Kate discusses HBA’s intertextual conversation with Shakespeare’s classic tragedy, its biofictional elements, and reveals the identity of the most confusing Hamlet ever; how a prequel can (and should) reveal insights into Shakespeare’s play; how old Hamlet is; the importance of double confirmation; how both Ophelia and Hamlet have All. The. Feels; the value of deploying random skills; the question of how old Hamlet is, anyway; how the gravedigger is an unreliable narrator; the struggle of theater as a career and what to say about it to your kids; and finally, possible spoilers (especially if you know anything at all about the career of UK comedian Tommy Cooper). Plus: jokes for everyone! Poster Art by Lar DeSouza. (Length 32:01)
Frances Callier and Angela V. Shelton, better known as Frangela, host the essential funny political podcast The Final Word and this Saturday night September 26, 2020, are performing as part of Stephanie Miller’s Sexy Liberal Virtual Tour, appearing right in your living room (on your computer)! Frances and Angela talk about how they joined comedy forces and share tips about the importance of using your voices; bringing the funny to the people; mutual Second City origins; memories of the TBS pilot The Week Reduced; the myth of world hunger; finding comic angles; possible spoilers to Star Trek: Discovery, the valuable bond of having opinions about everything; the importance of remembering that we have options and things don’t need to be this way; and the cathartic release of breaking crockery. (Length 22:04)
Comedy writer Tom Purcell has been working with Stephen Colbert a long time, first as the executive producer of The Colbert Report on Comedy Central and now as the executive producer of The Late Show with Stephen Colbert on CBS. (Pictured above and left, he also appears in sketches.) Tom discusses how he got started in the comedy business and what lessons if first taught him; shares boring origin stories; talks about the joy of vibing comedically; the importance of (and tips for) detaching one’s self; the value of mouth-feel; how fear is a mind-killer; how he misses the grease of unexpected interaction; and most heroically, how he eps turns today’s news — all of it, even when it’s unpleasant — into comedy. (Length 20:57)
Like many theaters in Chicago, Second City shut down on March 13, 2020, the same day we were scheduled to chat with actor, writer, and improviser Frank Caeti, who was directing their current production. We kept our appointment and recorded this interview with the Second City alum anyway, thinking we’d post it once everything re-opened “in a few weeks”. Ha! Nonetheless, enjoy this fascinating conversation about the process of creating a sketch show out of nothing, and listen as Frank shares Bull Durham analogies; how a director acts as a head writer; the importance of compassion, empathy, and understanding; the value of group ownership; being patient as ideas go from half-baked to more fully-baked; embracing relative autonomy; gives shout-outs to institutional memory; the endurance required for encore late-night sets; the importance of audience feedback and the uncertainty of not knowing when we might get it again; and finally, the challenge of getting used to not touching your face and how philosophers are really the forgotten victims during this pandemic. (Length 23:17) (Pictured: Frank Caeti, left, with Dan Castellaneta (The Simpsons) in The Second City’s Christmas Carol: Twist Your Dickens at the Geffen Playhouse. Photo by Craig Schwartz.)
Second City alumnus Brian Stack (The Late Show with Stephen Colbert; Late Night and The Tonight Show with Conan O’Brien) has a knowledge of popular music that’s both broad and deep, and this week he shares with us the kind of music that gets him through tough times (like, say, a pandemic); how music intersects with comedy in surprising and hysterical ways; how Van Morrison is perfect for any occasion; his outstanding Neal Young and Michael Macdonald impressions; some comedic inspiration from Men Without Hats; and the importance of sharing your music (while not, of course, sharing your germs). (Length 23:08)
For the time being, please enjoy these epic reductions from the comfort of your own shelter!
THE RING REDUCED
Where can you see Wagner’s 17-hour Ring Cycle crammed into a brief and palatable 23 minutes? RIGHT. HERE.
At the invitation of Sky-TV, we reduced the first five seasons of the landmark TV series Lost down to ten minutes, with the blessing of (and a specially-filmed introduction from) its creators Damon Lindelof (Watchmen, The Leftovers) and Carlton Cuse (Bates Motel, Locke & Key)!
Jeopardy! Tournament of Champions
The Answer Is: In 2005 and 2006 this theatrical touring troupe was its own video category in the Jeopardy! Tournament of Champions.
The Question Is: Who is the Reduced Shakespeare Company?
PLUS! SOME RECENT ADDITIONS
“I Laughed Till I Cried”
from The Complete History of Comedy (abridged)
Austin’s song, now with pictures and clips and one new line addressing the current moment. See if you can spot it!
Sonnet 18 — First Draft
from Reduced Shakespeare: The Complete Guide for the Attention-Impaired (abridged)
As part of the #ReadASonnet thread on Twitter, Austin reads Shakespeare’s long-lost first draft of one his most popular sonnets.
CROKE’S QUARANTINE… (name tba) IS NOW OPEN!
Let Matt Croke teach you these comedy classics!!
LEARN TO PLAY THE GUITAR!
Most recent member Doug Harvey teaches you the basics!!
WANNA HEAR SOME STORIES?
Dee Ryan tells this one, and has dozens more at her Louder Than a Mom storytelling page!
THE REMOTE REDUCED REUNION
Join us for this epic reunion of 50 actors, stage managers, and props & wardrobes gods & goddesses who’ve worked with the Reduced Shakespeare Company over the years. Featuring RSC artistic directors Reed Martin & Austin Tichenor, founding members Daniel Singer and Jess Winfield, host and actor Matt Croke, and literally dozens more. Recorded from at least four different time zones on April 11, 2020.
In a conversation hosted by Matt Croke, co-artistic directors Reed Martin and Austin Tichenor discuss the history of the Reduced Shakespeare Company, the scripts they’ve written, and some helpful dos and annoying don’ts when performing them in this almost two-hour livestream, recorded April 25, 2020.
More to come!!
Your new holiday tradition! The complete (unabridged) recording of The Reduced Shakespeare Company Christmas, produced by Connie Blaszczyk for Public Radio International in 1995, which has been unavailable for years and features Adam Long, Reed Martin, Austin Tichenor, and Matthew Croke in a special “live” recording from RSC HQ. Not to be confused with our stage production The Ultimate Christmas Show (abridged), the RSC Christmas features transmissions from Yule-Sat, Reed’s Happy Wholesome Holiday Poem, Carolers from Hell, just A Little Dickens, the incredibly helpful Carol Complaint Line, almost-25-year-old references, a very minor holiday apocalypse, 12 Tips of Christmas, our epic production of “The Complete Christmas Carol (abridged)”, an exclusive interview with Charles Dickens himself, and ultimately, inevitably, the True Meaning of Christmas. (Length 46:33)
The current Chicago Shakespeare Theatre production of Romeo And Juliet completely reinvigorates Shakespeare’s most famous play, emphasizing frequently overlooked themes and giving events an intense urgency that accentuates both the comedy and the tragedy. Director Barbara Gaines (who’s also CST’s founding artistic director) talks about what finally drew her to the play and how she emphasized certain things while eschewing too much romanticization; how she underscores the dangers of cycles repeating endlessly; creates powerful final images: how every Shakespeare play can be improved by setting it in a high school; how she adds tension and comedy to the balcony scene; gives us a reduced history of Chicago Shakespeare Theatre; and the wonderful but maybe not too surprising relationship between Chicago Shakes and Second City. (Length 24:02) (Pictured: Brittany Bellizeare and Edgar Miguel Sanchez in Chicago Shakespeare Theater’s production of Shakespeare’s Romeo and Juliet, directed by Barbara Gaines. Photo by Liz Lauren.)
And Cincinnati City Beat said, “A dizzying night’s entertainment! It’s the work of some serious minds exploring the art of comedy… Fresh and funny!”Continue reading