Most Recent
Dr Edel Semple (bottom right, above) from University College in Cork, Ireland, and Dr. Ronan Hatfull (bottom left) from the University of Warwick convened a seminar entitled “Shakespearean Biofiction on the Stage and Screen” for this year’s annual conference of the Shakespeare Association of America, where we discussed the how and why of, among other things, we made William Shakespeare a character in William Shakespeare’s Long Lost First Play (abridged). Edel and Ronan discuss how the seminar went and talk about the similarities between academic seminars and RSC performances; how incredible planning goes into making things casual and relaxed; what red leather pants really signifies (in both their American or British meaning); how adaptation is also a form of biofiction; shout-outs to all the contributors; layers of irony; what our version of Shakespeare might look like as played by teenagers; how the Shakespeare in Ben Elton’s Upstart Crow is and isn’t like Homer Simpson; climbing up on high horses; and, as always — the importance of the craic! (Length 28:57)
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Dramaturg Kate Pitt joins us for a deep dive into the creation of the script for Hamlet’s Big Adventure! (a prequel), on which she cast her dramaturgical magic (and which we’ll finally get to tour once this stupid pandemic is over). Kate discusses HBA’s intertextual conversation with Shakespeare’s classic tragedy, and its biofictional elements, and reveals the identity of the most confusing Hamlet ever; how a prequel can (and should) reveal insights into Shakespeare’s play; how old Hamlet is; the importance of double confirmation; how both Ophelia and Hamlet have All. The. Feels; the value of deploying random skills; the question of how old Hamlet is, anyway; how the gravedigger is an unreliable narrator; the struggle of theater as a career and what to say about it to your kids about it; and finally, possible spoilers (especially if you know anything at all about the career of UK comedian Tommy Cooper). Plus: jokes for everyone! Poster Art by Lar DeSouza. (Length 32:01)
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Robert McDonald is the director of special events at The Book Stall in Winnetka, IL, and tell us exactly why supporting independent bookstores — and all small businesses, including theater companies! — is not only a good but an important idea. Featuring changing landscapes; romantic notions of bookstores, and the ways in which those notions are true (and not); ways to pivot; the importance of learning new skills and finding individuality; parental warnings and regrets; who the true essential workers are (aside from the obvious ones); important social niceties; who Bookshop.org is genuinely helping; and finally, how to measure convenience, and how Amazon is really not convenient and is probably doing more harm than good. (Length 21:39)
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