Two-time Olivier Award-winning playwright Ken Ludwig has written Dear Jack, Dear Louise, a funny and charming romantic comedy that won the Helen Hayes award in 2020 for Best New Play and opens this week at the Northlight Theatre in the suburbs of Chicago. Dear Jack, Dear Louise depicts the unlikely courtship of Ken's parents during World War II, and he discusses the origins of a play that is both right in his wheelhouse and a departure from the rest of his oeuvre; the joy of discovering subject matter that’s both freeing and always surprising; the wonder of actors becoming new people who also have his parents’ essence; whether it’s easier to think of your parents as real people or as characters in a play; how he’s writing a brand-new jukebox comic opera, using music by Rossini, called Tenor Overboard; a shout-out to the Chichester Theater Festival; and how Dear Jack, Dear Louise is ultimately a love letter to Ken’s – any maybe all – parents. (Length 18:45) (PICTURED: Casey Hoekstra and Sarah Price as the title characters in the Northlight Theatre production of Dear Jack, Dear Louise, directed by Jessica Fisch. Photo by Greg Inda.
“To go for it, or not to go for it?” That is the appealing question that drives For the Love of the Bard, the debut novel from author Jessica Martin, which is being published just in time to go to the top of your summer reading list, especially if you’re a Shakespeare nerd. The story involves our heroine Miranda Barnes returning to her hometown of Bard’s Rest, New Hampshire, and helping to run the theater festival run by her parents. But once there, Miranda struggles with her feelings for Adam, the hunky veterinarian who spurned her in high school but also looks great with his shirt off. Martin discusses an early pumpkin-related success led to her passion for writing; how writing gets easier only by doing it; how the book’s fantasy works on so many levels; the surprisingly tricky aspects of writing urban fantasy; how she started writing, how she came to Shakespeare, and how she came to write about Shakespeare; shout-outs to both Robertson Davies's Tempest-Tost and the Hogarth series of Shakespearean novels; and how people who don't like Shakespeare puns are sad and to be pitied. (Length 17:32)
Chicago will soon get its own Drama Book Shop in the form of The Understudy Bookstore, and founding owners Adam Crawford and Danny Fender talk about their ultimate pandemic pivot and how it's already become a project the entire Chicago theater community is enthusiastically supporting; how Chicago is like one big college theater campus; how difficult it is (and how privileged they are) to be able to realize this beautiful dream; how it’s possible to have a theatrical career in Chicago; how they learned lessons from fellow small business owners; give a shout-out to Scenes, Chicago’s previous theater bookstore; and The Understudy's fantastic motto: “Good Books, Fresh Beans, & All The Drama.” (Length 20:47)