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About Us

Since its pass-the-hat origins in 1981, the Reduced Shakespeare Company has created ten world-renowned stage shows, two television specials, several failed TV pilots, and numerous radio pieces, all of which have been performed, seen, and heard the world over. The company’s itinerary has included stops off-Broadway, at the White House, the Kennedy Center, Lincoln Center, London’s West End, Seattle Repertory Theatre, American Repertory Theatre and Montreal’s famed Just For Laughs Festival, as well as performances in Israel, Australia, New Zealand, Hong Kong, Japan, Malta, Singapore and Bermuda, plus countless civic and university venues throughout the USA, the UK, and Europe.

Upcoming Tour Dates

USA

Date City Venue
Tour: The Complete History of Comedy (abridged)
Feb 16 2023 Indiana, PA IUP Performing Arts Center
Address: 403 S. 11th Street, Indiana. Buy Tickets
Feb 18 2023 Gettysburg, PA Majestic Theater
Address: 25 Carlisle St, Gettysburg. Venue phone: 717-337-8200. Buy Tickets
Mar 03 2023 - Mar 04 2023 Fort Worth, TX Downtown Cowtown at the Isis Theatre
Address: 2401 N Main St, Fort Worth. Venue phone: 817-808-6390. Buy Tickets
Apr 01 2023 Reston, VA Center Stage, Reston Community Center
Address: 2310 Colts Neck Rd, Reston. Venue phone: 703-476-4500. Buy Tickets
Apr 08 2023 Princeton, NJ McCarter Theatre
Address: 91 University Place, Princeton, NJ. Venue phone: 609-258-2787. Buy Tickets
Apr 21 2023 Basalt, CO The Arts Campus at Willits
Address: 400 Robinson St, Basalt. Venue phone: 970-510-5365. Buy Tickets
Apr 22 2023 Lone Tree, CO Lone Tree Arts Center
Address: 10075 Commons St, Lone Tree. Venue phone: 720-509-1000. Buy Tickets

Reduced Shakespeare Company Podcast

The world's longest-running theater podcast!

Latest podcasts:

Saluting The Understudies

“Stand-ins of the world, stand up!” (Tom Stoppard, The Real Inspector Hound) 2022 will be remembered as the Year of the Understudy – not only did the Patron Saint of the Understudy King Charles III finally step into the leading role after waiting in the wings for 74 years, but audiences began to fully appreciate how understudies keep theatre going during a global pandemic. Understudies come in a variety of flavors, from covers to swings to alternates, and actors Loren Jones and Cindy Gold talk about which flavor they are in the Goodman Theatre's 2022 production of A Christmas Carol. The conversation features lessons learned from the pandemic; how understudying can actually be a good paid gig; the difficulty of learning the lines without learning the moves; fast-tracking the understudies during rehearsal; the challenge of not just learning the role but the entire show; how old ways of doing things are changing; the identity of Scrooge’s overstudy; and tales of understudying both glorious and horrendous. (Length 19:43)

Goodman’s Christmas Carol

Jessica Thebus directs the Goodman Theatre's annual production of A Christmas Carol, and this year she's brought our own Austin Tichenor along to play Scrooge at ten designated performances. Jessica and Austin discuss how much the production changes from year to year (and, surprisingly, how little); how heaping helpings of Dickens' actual text is present in the production; the willingness of returning veterans to investigate the script anew; the eagerness of artists and audiences to revisit this ritual; how a story is only as good as its bad guy; how everyone is invited to the Christmas Carol party; and how Ebenezer Scrooge is one of the great roles in the theatrical canon. (Length 17:43) (PICTURED: Larry Yando as Ebenezer Scrooge in the Goodman Theatre production of A Christmas Carol, directed by Jessica Thebus. Photo by Liz Lauren.)

Happy 16th Anniversary!

Mya Gosling, aka GoodTickleBrain, joins us to celebrate the 16th anniversary of the Reduced Shakespeare Company Podcast, new episodes of which have dropped weekly since early December, 2006. Mya interviews producer/host Austin Tichenor, who discusses the podcast's origins and evolution; the greatest gift the podcast has turned into; how it was partially inspired by physical media; how much of a Shakespearean he was to begin with (and how much of one he's become); how the RSC’s shows evolved into longer narratives; and the fun of filling existing spaces with your own stories. (Length 26:18) (Stick-figure Mya and Austin courtesy of Mya Gosling/GoodTickleBrain. Used by permission.)

Get in Touch

US & Canada Bookings

Larry Kosson @ kossontalent.com

UK Bookings

James Seabright @ seabrights.com

World Wide

Please use the Contact Us form
For Performing Rights please go to our full Contact Page

Contact Us