Since its pass-the-hat origins in 1981, the Reduced Shakespeare Company has created ten world-renowned stage shows, two television specials, several failed TV pilots, and numerous radio pieces, all of which have been performed, seen, and heard the world over. The company’s itinerary has included stops off-Broadway, at the White House, the Kennedy Center, Lincoln Center, London’s West End, Seattle Repertory Theatre, American Repertory Theatre and Montreal’s famed Just For Laughs Festival, as well as performances in Israel, Australia, New Zealand, Hong Kong, Japan, Malta, Singapore and Bermuda, plus countless civic and university venues throughout the USA, the UK, and Europe.
In 2016, in honor of the company’s 35th anniversary and the 400th anniversary of Shakespeare’s death, the RSC premieres its tenth stage show, William Shakespeare’s Long Lost First Play (abridged), at the Folger Shakespeare Theatre in Washington DC. In 2013 the “Bad Boys of Abridgment” unveiled The Complete History of Comedy (abridged) –to critical and commercial acclaim at both Cincinnati Playhouse in the Park and Merrimack Repertory Theatre, as well as on national tours of the the USA and UK. The Complete World of Sports (abridged)opened in 2010 at Merrimack Rep and after touring the USA and UK, ran at the Arts Theatre in London during the 2012 London Olympics. In 2011 came the world premiere of The Ultimate Christmas Show (abridged)which became Merrimack Repertory Theatre’s best-selling holiday show ever, and the third-best-selling show in MRT’s history and also enjoyed a successful run at San Diego Repertory Theatre as well as multiple tours across the USA.
We tell our RSC actors to always ask themselves, “Yes, it’s silly…but is it Truly Silly?” This week, we talk to the man who taught as that: film editor Doug Purgason (left), an alum of the University of California, Berkeley, Drama Department (along with Reed, Austin, RSC founding member Jess Winfield, and RSC performing alums David Letwin (UK), John Tichenor (US), and Phil Abrams (US, Israel).) Doug explains how he came upon this youthful wisdom and discusses the dangers of short-changing the audience; the importance of spelling and punctuation; committing to the extreme belief and behavior of what you’re saying; how the truly silly “ethos” applies to his current work; the importance of not rejecting absurdity; and finally, the fundamental understanding that, if the actors don’t care enough to invest in the truth of what’s happening, then why should the audience? (Length 20:59)
Kamilah Long is the new managing director of Play On Shakespeare, the company dedicated to exploring the world of Shakespeare by commissioning living playwrights — many of them women, many of them playwrights of color — to create new translations and adaptations of Shakespeare’s plays. Like all of us, Play On Shakes is changing and evolving through the course of this pandemic, and Kamilah discusses how they’re continuing the meet the needs of its audiences, both now and in the future. Featuring the looming presence of Shakespeare’s shadow; biblical comparisons; a commitment to doing no harm; the consequences of the pandemic, both good and bad; the wonder of playwrights getting paid and being in the room; a soon-to-come exciting new podcast; and the unfortunate demise of Shakespearean phrases like “jive turkey.” (Length 17:53)
Master of the Revels is Nicole Galland’s sequel to her New York Times best-selling novel The Rise and Fall of D.O.D.O., and picks up right where that fast-paced adventure takes off. It’s a thrilling tale of time-travel, witchcraft, and Shakespeare, and Nicole describes how the novel came to be; how she dipped into Shakespearean fiction before with her memoir I, Iago; some twisted love letters; how characters evolve from one novel to another; a climax at the very first public performance of Shakespeare’s Scottish Play; and how a years-long passion for Edmund Tilney has resulted in an extraordinary new novel. With a special appearance by (speaking of Shakespeare’s original productions) Ben Crystal. (Length 19:42)
Want to experience all the wonder and joys of Charles Dickens’ Christmas classic but only have about ten minutes? You’re in luck!
A Little Dickens: The Complete Christmas Carol (abridged) (complete with 46 second encore) is an audio production written by Reed Martin and Austin Tichenor, first heard on Public Radio International in 1995, and produced by Connie Blaszczyk, Peter John Marquez, and the Reduced Shakespeare Company.
Free for the whole family!! Or just for you alone!! Just click the Play Triangle below.
From all of us to all of you…Happy Merry Chrismakwanukahhanzukah! (song not included)
Spend an Afternoon with The Remote Shakespeare Company!
A One-Day Only Live Streaming YouTube & Facebook Event
Sunday, July 12, 2020 – Noon Pacific/3pm Eastern/8pm UK
Please join the Reduced Shakespeare Company and Reston Center Stage on Sunday, July 12, 2020 at Noon Pacific/3pm Eastern/5pm UK for a remote live-streaming afternoon of subversive and joyful entertainment: The Reduced Shakespeare Company in An Afternoon with the Remote Shakespeare Company. (CLICK THROUGH FOR LINKS WHERE TO WATCH!)
The authors of POP-UP SHAKESPEARE! Join Jennie, Reed, and Austin TODAY, June 20, 2020, as they chat about the creation of their “stunning” (Huffington Post) illustrated book Pop-Up Shakespeare. They’ll also take your questions! Find them on the RSC Facebook page here. And the RSC YouTube page here. 11am PST / 1pm CST / 2 EST / 7pm BST