Episode 475. Our Poster (L)Artist

Published by austin on

”LARTIST SELF-PORTRAITLar DeSouza (known as @lartist on Twitter) is the cartoonist and caricaturist who created the poster art for our last three stage shows: The Ultimate Christmas Show (abridged), The Complete History of Comedy (abridged), and William Shakespeare’s Long Lost First Play (abridged). We talk about our shared cultural sensibilities, the power of the pop-culture mashup, the joy of participating and imagining, the things you discover when you combine cultural universes and create new contexts, the wonder of being a line junkie, horrible depictions of Santa Claus, the beauty of combining Rudolph the Red-Nose Reindeer with Stephen King, the value of emulating your heroes, the value of sharing on social media, and the enormous benefit of not discriminating and having no filters. (Length 24:36)

LONG LOST POSTERCOMEDY poster jpegThe Ultimate Christmas Show (abridged)

Podcast: Download (22.7MB)

Subscribe: RSS | More

Categories: Reduced Shakespeare Company Podcast
Tags:

0 Comments

Leave a Reply

Avatar placeholder

Related Posts

Where We Belong

Madeline Sayet's one-woman show Where We Belong tells the story of her journey from discovering Shakespeare as a child to studying him in England and directing him (and others, and opera) around the world. Madeline is a director, educator, and writer, a member of the Mohegan Tribe in Connecticut, and she discusses her play's origins; how different audiences react to it; how Shakespeare became a part of her normal childhood fairy-tale world; the sometimes thorny challenge of adapting personal relationships to accommodate the art; an uncomfortable reminder about how history works; possible sequel titles; how everybody wants to be in the play now that it’s a success; the art – and importance – of loving a thing and still being able to criticize a thing; and how theatre can also be good medicine. Where We Belong ran at the Goodman Theatre and will play Hudson Valley Shakespeare Festival in August 2022, Seattle Repertory Theatre and New York's Public Theatre in the Fall of 2022, and Portland Center Stage and Oregon Shakespeare Festival in 2023. (PHOTO: Madeline Sayet in Where We Belong. Photo by Liz Lauren.) (Length 21:33)

Celebrating Anne Hathaway

(No, not that one.) This weekend is the 399th anniversary of the death of William Shakespeare’s wife Anne Hathaway, and to commemorate the occasion we talk to Dr. Katherine Scheil, author of Imagining Shakespeare’s Wife: The Afterlife of Anne Hathaway. Dr. Scheil discusses what drew her to Hathaway as a subject for study; how Hathaway is almost always portrayed in relationship to Shakespeare; what to make of the “second best bed” she received in Shakespeare’s will; the wonderful democratization and liberating opportunities of biofiction; how sex is frequently the default source of Shakespeare’s “inspiration;” a discussion of the relative merits of the films Shakespeare In Love and All Is True, the TV series Upstart Crow, and the novel Hamnet; and ultimately, how biofiction can be a more insightful way of understanding historical figures, and even how sitcoms can reveal greater story and character nuance than drama. (Length 25:59)

Counting ‘Zero Zebras’

Children’s book author (Great Estimations, The Beastly Feast) Bruce Goldstone discusses his new book Zero Zebras: A Counting Book About What’s Not There, an adorable way of introducing the idea of nothing (and everything!) to a young audience...and maybe even you. Bruce explains how zero’s possibly the most powerful number, and shares inspirational childhood delight from Hughes Mearns’ “I met a man who wasn’t there;” how divisions and categorization are our enemy; a previous collaboration with the world’s most famous (and surprisingly talkative) mime; his fondness for the absurd; the theatrical nature of children’s picture books; mixing classics with vaudeville; how he's introducing children to the concept of seeing and imagining things that aren’t there; and how – as in jazz – it’s all about the zebras you don’t count. (Length 19:22)