Austin Tichenor

Fool’s World Premiere

7 Ages Theatricals is producing the world premiere of Fool, Austin Tichenor’s adaptation of Christopher Moore’s New York Times bestselling comic novel. Tom Berger, 7AT’s executive artistic director, talks about how this theatrical collaboration came to be, and reveals how the combination of Tichenor and Moore creates “a match made in Shakespeare comedy heaven” (Broadway World). Berger discusses the pleasure of being a theatre slut; the importance of staying in one’s artistic lane; the stress of not wanting to disappoint each other (or Fool’s creator); the paradox of having written “Schrödinger’s Play;” the trick of making sure the audience catches what we’re throwing; and the fateful coincidence of being a Christopher Moore superfan and a Reduced – as well as a real – Shakespeare guy. (Length 22:46) (Logo title art by Michael Dewey.)

Podcast: Download (Duration: 22:46 — 26.1MB)

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Welcome Back, Lookingglass!

After a pandemic-related programming pause, Chicago’s Tony-winning Lookingglass Theatre Company returns with a new season of programming, including their current production of Circus Quixote, based on Miquel de Cervantes’s novel. Longtime LTC ensemble member and newly appointed artistic director Kasey Foster discusses how Lookingglass managed to survive the pandemic; how they created a much more welcoming presence on Michigan Avenue; how she’s gone from being a performer to being a classic actor-manager; and most importantly, how Lookingglass offers the sort of performance spectacle you can only get in a live theatre experience. (Length 19:25)

Podcast: Download (Duration: 19:25 — 22.3MB)

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Returning To MRT!

RSC artistic directors Reed Martin and Austin Tichenor discuss their return to Merrimack Repertory Theatre with the company’s 11th show, The Comedy of Hamlet! (a prequel) as MRT’s 300th production. Reed and Austin reveal the RSC’s deep connections to New England; how this will be the RSC’s third show to premiere at MRT (after The Complete World of Sports (abridged) and The Ultimate Christmas Show (abridged) and seventh visit overall; and share insights into the creation of the show and why they changed the title; how the show’s roll-out and script development got interrupted by the pandemic; what milestone anniversary will be celebrated by our first MRT performance; and how creating a prequel to Shakespeare’s greatest play brought unexpected emotional connections to the characters. (LENGTH 18:24)

Podcast: Download (Duration: 18:24 — 21.2MB)

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Sidney Berger Award

At the closing night banquet of last weekend’s Shakespeare Theatre Association conference in San Francisco, Reduced Shakespeare Company artistic directors Reed Martin and Austin Tichenor were awarded the Sandra and Sidney Berger Award “in recognition of their outstanding talent and dedication to the works of William Shakespeare.” In a conversation recorded immediately afterward, Reed and Austin express their shock and gratitude; thank the many people who have kept the RSC going over the years; share an excerpt of their acceptance speech; and talk about their decades-long journey that brought them to this unlikely moment. (Length 19:30)

Podcast: Download (Duration: 19:30 — 22.4MB)

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Threading The Needle

For this first episode of 2025, RSC co-artistic directors Reed Martin and Austin Tichenor discuss how Austin plays the “Alternate Scrooge” in the Goodman Theatre production of A Christmas Carol for the third year in a row. Austin reveals how he threads the needle of honoring the Scrooges he alternates with (Larry Yando and Christopher Donahue) while still making the character his own; the difference between being an alternate and an understudy; how he inherited the role from previous alternate and now current Scrooge Allen Gilmore; the secrets to flying, including massive shout-outs to ZFX Flying, who makes the magic happen (not “VFX,” as misidentified by Austin); what it’s like to work with young performers; the danger of running out of mental bandwidth during the holidays; and the privilege of jumping from reduced productions to the Goodman’s massive annual extravaganza. (Length 38:46)

Podcast: Download (Duration: 38:46 — 44.5MB)

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Special Christmas Encore!

For this special encore podcast episode, we present – in its entirety – the complete and unabridged recording of A Little Dickens: The Complete Christmas Carol (abridged). (Dickens’s story is abridged, not the recording. You’ll work it out.) First heard on Public Radio International in 1995, this antic audio adaptation features Reed Martin as Jacob Marley, Matthew Croke as Tiny Tim, and Austin Tichenor as Ebenezer Scrooge (the role he’s currently playing at Chicago’s Goodman Theatre). May it warm your cockles! (Length 10:47)

Podcast: Download (Duration: 10:48 — 12.5MB)

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Ring Reduced Remembered

It’s the Podcast’s 18th birthday! Austin Tichenor, Reed Martin, and Adam Long celebrate the 30th anniversary of The Ring Reduced, the RSC’s 1994 film for Britain’s Channel 4 which compressed Wagner’s epic opera Der Ring des Nibelungen into a brief and palatable 24 minutes. Adam, Austin, and Reed share their favorite fun facts about Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung; reveal their inspiration from Anna Russell; speculate on comic directions not taken; confirm that the Reduced Shakespeare Company is completely and utterly responsible for the success of Ted Lasso; disclose how they created the most expensive and complicated gag of the entire shoot; and marvel how for one brief shining moment, they were the Rhinemaidens of all media. (Length 29:09)

Podcast: Download (Duration: 29:09 — 33.5MB)

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Updating America (Abridged)

They keep writing American history so we have to keep reducing it! Playwrights Reed Martin and Austin Tichenor discuss how they’ve updated The Complete History of America (abridged), which they wrote with Adam Long back in 1993. Reed and Austin share how Dee Ryan’s recent one-hour production of the script was so helpful; how Reed discovered who the most pivotal figure in American history has been for the last 30 years; the challenges of keeping up just the last two weeks of American history; how the “Special Election Edition” that the RSC performs differs from the published version of the script; why Reed’s heavy teaching schedule prevents him from joining us on the road; and how adjunct professors are doing the Lord’s work (without the benefits). (Length 18:18)

Podcast: Download (Duration: 18:18 — 21.0MB)

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Rosencrantz And Guildenstern

For his final production as thirty-year artistic director of Chicago’s Tony-winning Court Theatre, Charles Newell transforms Tom Stoppard’s Rosencrantz and Guildenstern Are Dead into an unexpectedly joyful celebration of legacy and theater. Newell reveals his lengthy relationship with not only Stoppard’s plays but with the man himself, and shares how he cast two halves of a whole; how he chose to respond instinctively to what was happening in rehearsal rather than adhere to an intricate plan; and how he embraced the counterintuitive and seemingly-oxymoronic phrase “joyful requiem.” (PICTURED: Erik Hellman and Nate Burger as Guildenstern and Rosencrantz in the Court Theatre production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, directed by Charles Newell. Photo by Michael Brosilow.) (Length 20:20)

Podcast: Download (Duration: 20:20 — 23.4MB)

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Visiting ‘Shakespeare’s House’

Richard Schoch discusses Shakespeare’s House: A Window Onto His Life and Legacy, his wonderful new history of not only the building in Stratford-upon-Avon that William Shakespeare was born in, but how that building survived and became ground zero in the Shakespeare tourism industry. Schoch reveals how he discovered the dual focus of his book; how it took almost 200 years for people to realize the treasure that still stood in their midst; the shenanigans played by people who first depicted Shakespeare’s birthplace; the important distinctions between restoring a house and remaking it; the trick of hitting that sweet spot between writing an academic history and a popular one; and how the most important person in Shakespeare’s birthplace is not Shakespeare but the visitor. (Length 18:52)

Podcast: Download (Duration: 18:52 — 21.7MB)

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Ides Of March Madness

What’s Shakespeare’s best speech? That question gets answered on this epic episode by director Nate Cohen and actor/educators Elizabeth Dennehy and Gregory Linington, who agonize over every match-up in this Sweet 16 selection of soliloquies and monologues. Highlights include remorse over the many speeches that didn’t make the tournament; the differences between speeches and soliloquies; how Juliet is the female Hamlet; origins of the phrase “rolling thunder;” the unsurprising dominance of fulcrum speeches; a brief “Rap Othello” interlude; and most importantly, how a full March Madness field of 64 would have included many many more of your favorite Shakespeare monologues. (Length 1:22:47)

Podcast: Download (Duration: 1:22:47 — 94.8MB)

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Writing ‘Tragedy Averted’

Washington Post humor columnist Alexandra Petri discusses her Shakespearean summer camp comedy Tragedy Averted, now having its midwest premiere at the IO Theatre in Chicago. Tragedy Averted showcases four Shakespeare heroines – Juliet, Cordelia, Desdemona, and Ophelia – who bond at summer camp while struggling with romance, friendship and difficult dads. In conversation with the production’s director Dee Ryan, Alexandra shares the origins of her humor; the depth of her nerdery; inspirational messages from W.H. Auden and T.H. White; the comfort of knowing she always wanted to be a writer; spoileriffic exegesis; her firm belief that any crisis can be addressed head-on, Hamlet-like, by writing a play about it; and how fan fiction means you love the source text but have a significant bone to pick with it. (Length 19:14)

Podcast: Download (Duration: 19:14 — 22.1MB)

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Measuring The Laughs

On the eve of our upcoming tour of The Complete History of Comedy (abridged), co-authors and RSC co-artistic directors Reed Martin and Austin Tichenor talk about measuring the success of a production, and how it’s easier with a comedy but not so much with a drama. Reed and Austin reveal how comedy opens up the heart; how laughs preceded by quiet moments are usually stronger; their greater willingness to go on a comic journey than a tragic one; a shout-out to George Saunders’s book A Swim in a Pond in the Rain; their feelings about whether Chekhov’s plays are actually funny; their ability to take their own notes about slowing down; how not all laughs are created equal; a special appearance by half an EGOT winner “Weird Al” Yankovic; the complete song, “I Laughed Till I Cried;” and the ultimate challenge of wondering whether a quiet audience is enthralled or simply bored. HEAR HERE! (Length 20:36)

Podcast: Download (Duration: 20:36 — 23.7MB)

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Daisy the Littlest Zombie

“Some zombies are big
Some zombies are small
But Daisy’s the littlest zombie of all…”
So begins Daisy the Littlest Zombie, the sing-songy coming-of-age tale for children of most ages written by Austin Tichenor and illustrated by Gary Andrews (and published by Sordelet Ink). Austin and Gary reveal how this tale of the undead was brought to life; their love of mashing up genres; how darkness can be cathartic; why it’s sort-of Shaun of the Dead for kids; the joy of including (and discovering!) Easter eggs; inspiration from a performance of Completely Hollywood (abridged); their decision to follow up on the massive success of their award-ignored web series Drawing on Shakespeare; their shared experiences of being a dad to a brother and sister raised in theaters; and how they found meaning and humor in combining profundity and silliness. Now available on all digital platforms and in a handsome hardcover edition! (Length 20:57)

Podcast: Download (Duration: 20:57 — 24.1MB)

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Who Wrote Shakespeare?

Don’t know your Bacons from your Marlowes, your deVeres from your Rutlands? Fear not. We addressed the so-called “Authorship Question” in our 2006 book, Reduced Shakespeare: The Complete Guide for the Attention-Impaired (abridged), outlining all the major candidates and computing the odds that someone other than Shakespeare actually wrote his keen plays and nifty sonnets. The answer may surprise you! This episode features the entire text of Chapter Five, “Who Wrote This Stuff?”, and offers iconoclasm and mischief-making, scandalous scholarship, wild supposition, equally unlikely possibilities, and a little thing we like to call “logic.” (Length 29:34)

Podcast: Download (Duration: 29:34 — 33.9MB)

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Bringing Back Comedy

The original cast (pictured, left to right: Reed Martin, Dominic Conti, and Austin Tichenor) returns to The Complete History of Comedy (abridged) for performances this April and July of 2023 and they discuss how both the show and their performances have changed; how different people can get away with different jokes; the value of bashing away at the material; the audacity of comparing ourselves to Shakespeare; how it’s our most autobiographical show; what it’s like to act with other companies like Chicago’s Goodman Theatre and San Francisco’s American Conservatory Theatre; fixing certain punchlines; and a special appearance from Grammy Award-winning comedian “Weird Al” Yankovic! (Length 18:49)

Podcast: Download (Duration: 18:49 — 21.6MB)

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Remembering Princess Diana

In celebration of the RSC Podcast’s 15th Anniversary, artistic directors Reed Martin and Austin Tichenor remember the surreal week they spent performing The Bible: The Complete Word of God (abridged) at the Gielgud Theatre in London in the wake of the death of Diana, Princess of Wales. Featuring memories of how the country came together; how all the performing arts suffered at the box office; how we were the only West End show to perform during Diana’s funeral; how news traveled via Town Crier; the joy of meeting Bernard Shaw (not George Bernard Shaw); and how something always happens when we perform in London. (Length 18:17)

Podcast: Download (Duration: 18:17 — 21.0MB)

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The Devil’s Work

Demons and witches and ghosts, oh my! As we reach our 666th podcast, it seems like the perfect time to talk about how the Devil has influenced (or hasn’t) the work of the Reduced Shakespeare Company. Reed Martin and Austin Tichenor discuss Faustian bargains; Satan being cut from The Complete History of America (abridged); rewriting The Music Man; Adam Long’s tribute to two legends in his one-man show Satan Sings Mostly Sondheim; the fear of mockery; our Kerfuffles in Northern Ireland; making friends in Louisiana; stories for another time; how times have changed; celebrating the Devil’s opposite in The Bible: The Complete Word of God (abridged); making up for missed opportunities with episode 420; and hopefully soon-to-be requited love for our book How The Bible Changed Our Lives (Mostly For The Better). (Length 21:55)

Podcast: Download (Duration: 21:55 — 25.4MB)

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Episode 460. Remembering Yogi Berra

If Yogi Berra hadn’t existed, some writer would have had to create him. Arguably one of the greatest catchers, and certainly the greatest character to ever play the game, Yogi died recently at the age of 90 and in addition to being one of the greatest players to ever play Read more…

Podcast: Download (Duration: 20:25 — 18.9MB)

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The Complete World of Sports (abridged)

March Madness! April Absurdity!

The Complete World of Sports (abridged)After a brief time-out, the Reduced Shakespeare Company take to the field once again with The Complete World of Sports (abridged). Whoop and holler and hurl your hotdog as we attempt to reduce every sport in the history of the world – from archery to wrestling, from basketball to bocce ball, from championship chess to professional ping-pong and everything in between! 3,477.3 sports reduced into one mad dash to the finish line! Impossible! No WAY, you say! YES way, say we! We have been training literally minutes for this! Bring your poms poms to: (more…)

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London 2012

We won the Gold! The comic Gold, that is. The RSC took the UK by storm this summer - take a look. After a five-week tour of the regions, we settled in for an exciting six-week run of The Complete World of Sports (abridged) at Read more…
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