Episode 187. Tony Tony Tony!

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[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]Actor and Fight Captain Tom Schall reminisces about his Broadway debut in the ill-fated (is there any other kind?) 1988 production of the Scottish play starring Christopher Plummer and Glenda Jackson. Featuring the perils of switching directors in mid-stream, more examples of the so-called Scottish play “curse”, a special appearance by Michael Butler from Center Rep Theater in California, and examples of how the behavior of one real-life diva influenced the behavior of the fictional one in Completely Hollywood (abridged). (MP3. Length 24:08)[/vc_column_text][/vc_column][/vc_row]