Becoming Henry V

Daniel Jose Molina brilliantly played Hal in both parts of Henry IV and the title role of Henry V At the Oregon Shakespeare Festival in 2017 & 2018. Now quarantining in the Chicago area with his wife Alejandra Escalante (who fiercely played Hotspur opposite him in Henry IV Part 1), Daniel discusses how the roles came to him, and shares how Hal’s fear of becoming king matches the actor’s fear of playing him; the importance of knowing that Hal belongs in Eastcheap and isn’t just a tourist; how to best fight imposter syndrome; passing the baton to your fellow actors; the challenge of translating Shakespeare back into English; having multiple versions of the same conversation; the value of discovering new dream roles; devising the elevator pitch of Hal’s journey; and the flattering presence of the Reduced Shakespeare Company in his actor origin story. (Length 28:56)

Episode 615. American Revolutions Onstage

Julie Felise Dubiner is associate director of Oregon Shakespeare Festival’s American Revolutions: The United States History Cycle, a multi-decade program of commissioning and developing 37 new plays sprung from moments of change in United States history. On my recent trip to Ashland, I was able to meet and chat with Julie about OSF’s program and the wonderful plays that have already come out of it, a couple of which — Lynn Nottage’s Sweat and Paula Vogel’s Indecent — appear on this season’s list of Most Produced Plays in the US compiled by American Theatre magazine. Featuring the question of what it means to be American, dramatizing moments of change and the problem with tying those moments to US presidents, watching the first run-thru of this generation’s Death of a Salesman, overcoming one’s shameful past in improvisation, fueling comedy with rage, how a sense of humor might save us, and the importance of writing the history of your people on to the stage. (Length 22:49)

Episode 611. Burbage to Burbage

Kevin Kenerly is a 22-year veteran of the Oregon Shakespeare Festival and is currently playing Richard Burbage in Lauren Gunderson’s The Book of Will (after having played Burbage in Shakespeare in Love in 2017). Kevin talks with Austin Tichenor (who played Burbage in the Northlight Theatre production in 2017 and blogged about it for the Folger Shakespeare Library) about his approach to playing Shakespeare’s leading man, how he first came to Shakespeare, how the role of Burbage resembles Cyrano de Bergerac, inspirational teacher shoutouts, impressive instruments, the magic of different interpretations, a love for language, the pleasure of needing no clue, Michael Caine aphorisms, how theatre sleeps when we do, and ultimately how Shakespeare and microbrew prove to be an unbeatable combination. Featuring a special appearance from Lauren Gunderson herself! (Pictured: David Kelly as Henry Condell, Kevin Kenerly as Richard Burbage, and Jeffrey King as John Heminges. From the Oregon Shakespeare Festival production of Lauren Gunderson’s The Book of Will, directed by Christopher Liam Moore.) (Length 22:56)

Episode 516. The Q Brothers

”The Q Brothers are the creators of Othello: The Remix, now in previews off-Broadway, as well as their previous off-Broadway hit The Bombitty of Errors and other hip-hop interpretations of Shakespeare. GQ and JQ chat about their process of reinvention, and reflect on inventing words, teaching and learning experiences, becoming an industry, embarrassments of riches, Read more…

Episode 463. Rewriting William Shakespeare

”The Oregon Shakespeare Festival recently announced “Play On!”, their project to create “translations” of all of Shakespeare’s plays, working with thirty-six contemporary playwrights and dramaturges, which will serve as companions to the original texts. Scholars and artists the world over have weighed in, so as authors of Shakespearean “companions” ourselves, Read more…

Episode 456. Broadway’s “Something Rotten!”

Three of the stars and original cast members of the hit Broadway Shakespeare musical Something Rotten! — Heidi Blickenstaff, John Cariani, and Brad Oscar (pictured) — talk about the process of creating an original musical, from casting through rehearsals to last-minute changes right up to opening night. Featuring excerpts from the score, the joys Read more…

Episode 391. The Director’s Job

”Jessica Thebus teaches Directing at Northwestern University and has directed classics and world premieres across the country at such theaters as Oregon Shakespeare Festival, the Huntington Theatre in Boston, the Kennedy Center, Steppenwolf, the Goodman, and Lookingglass Theatre, so she’s the perfect person to explain just what it is a Read more…

Episode 185. The TCG Conference

”We visit the Theatre Communications Group annual conference in Chicago and chat with Paul Nicholson, Executive Director of the Oregon Shakespeare Festival, and Cynthia Rider, Managing Director of the Kansas City Repertory Theatre. Featuring a reduced overview (an underview?) of the weekend, wonderful moments of inspiration, a special appearance by Read more…