Directing ‘Primary Trust’

Director Malkia Stampley, whose beautiful production of Eboni Booth’s 2024 Pulitzer Prize-winning play Primary Trust runs at Chicago’s Goodman Theatre through November 3, 2024, discusses how she embraced the play’s delicate intimacy and transformed a literary script into a theatrical event. Malkia reveals the ways in which a live audience and actors playing multiple characters lift a potentially naturalistic play into a theatrical realm; how she eschewed melodrama and discovered the mystery and curiosity she was looking for; how clowns can find the funny and serious actors the gravitas; and the value of always looking for – and finding – the light. (Length 18:23)

Episode 455. BackRoom Shakespeare Backstage

RSC Managing Partner Austin Tichenor performed with the Back Room Shakespeare Project in their production of The Merchant of Venice in July 2015 at the Radler Bar & Restaurant, and because his roles were relatively (thankfully) small, he roamed the backstage area interviewing actors and audience members about their preparation and expectations. Featuring an audio excerpt of the performance, similarities to tricksy hobbits, navigating the play’s racism and anti-semitism, finding the comedy, and the joys and terrors of performing in a riotous pit of bloodthirsty drunks. NOTE: BRSP co-founder Samuel Taylor (who coined the expression embroidered into a sampler by Kate Pitt) discusses the Project’s aims and philosophies in his book My Life With The Shakespeare Cult on RSC Podcast episode 437. (Length 23:57)