Charlotte Booker’s ‘Alive!’

Charlotte Booker discusses her show Elsa Lanchester: She’s Alive!, which celebrates the great character actress who played the title role in The Bride of Frankenstein and runs Wednesdays and Thursdays this month at the Venus Cabaret in Chicago. Charlotte is joined both onstage and in this conversation by her husband and accompanist Mark Nutter, and shares some of the secrets and similarities between her and her subject, including youthful flings with onstage nudity; the glory of being the first female monster; how Elsa was raised to be a free spirit by artist-Bohemians and became the former It Girl of London; playing Katie Nanna in Mary Poppins and Miss Marbles in Murder by Death; being drawn to fellow redheads; the challenges of having an “absinthe father;” the perils of being institutionalized for “over-education;” and the posthumous joy of being a Goth icon. (Length 20:32)

Episode 617. Remy Bumppo’s ‘Frankenstein’

Nick Sandys is the artistic director of Chicago’s Remy Bumppo Theatre and is currently playing both Victor Frankenstein and the Creature in the Nick Dear adaptation of Mary Shelley’s classic novel, which opens this week and runs through November 17, 2018, now also celebrating its 200th anniversary (he alternates roles with Greg Matthew Anderson). Nick talks about the power of this tale of monstrousness and how it fits into Remy Bumppo’s mission of great language driving great ideas. Featuring ways in which Shelley’s novel continues ideas expressed by Shakespeare in The Tempest, early modern analogues to rap battles, how one can highlight (and quite possibly confuse) certain issues, the precision with which one handles cultural negotiation, how the use of language — even in Shakespeare — tells you how a scene must be staged, how literature can also be a verb, how monsters are not born but made, and how one addresses the ultimate question: Who, really, is the monster? A star is shorn! (Length 22:42)

Episode 360. Austin Tichenor’s ‘Frankenstein’

Austin Tichenor’s adaptation of Mary Shelley’s Frankenstein is getting new life, with a new production and published acting edition. Austin talks to director Rob Richards about the current production and consider the ideal interpreters of 19th-century Romantic authors, some genius casting notions, the dangers of polite acting, the close relationship between laughter and screams, a special appearance by newly elected Senator Cory Booker, dodgy Jeff Goldblum impressions, and the nature of monstrosity. (Length 19:15) (Pictured: Matthew Geary as The Creature in the 2013 Phillips Exeter Academy production. Photo by Cheryl Semter. Used by permission.)