We Debate ‘Shipoopi’

Peter Marks, theatre critic of the Washington Post and co-host of American Theatre magazine’s Three on the Aisle Podcast, famously loathes the song “Shipoopi” in Meredith Willson’s The Music Man and this week we try to convince him just how wrong he is. Featuring strong emotional reactions; unworthy yet sophisticated analysis; unprovoked disdain of garden gnomes; pilgrimages to Mason City, Iowa; reverse snobbery; comparing Act Two openings; anthropomorphizing a month; ideal Harold Hill casting (the less said about Matthew Broderick, the better); and ultimately a celebration of one the American musical theatre’s greatest (give or take a song or two) shows. WARNING: No minds were changed in the recording of this podcast. (Length 20:13) (Pictured: Jonathan Butler-Duplessis as Marcellus Washburn in the Goodman Theatre production of Meredith Willson’s The Music Man, directed by Mary Zimmerman. Photo by Liz Lauren.)

Episode 619. Critic Chris Jones

Chris Jones is the chief theatre critic and Sunday cultural columnist for the Chicago Tribune, has also been recently named a reviewer for the New York Daily News, and has just written Rise Up! Broadway and American Society from Angels in America to Hamilton. Despite this hectic schedule of seeing and writing about theatre, Chris made time to chat about the role of the critic, how criticism has changed over the years and are a necessary (and valuable!) part of the ecosystem, what most great plays are about, examining not whether a play is good but what it means, an addiction to living in make-believe worlds, what happens when critics screw up, how writing about theatre is writing about life, the reality of complex relationships, the value and drawbacks of moving on to the next show, the nature of ensemble, the greatness of pre-Broadway tryouts, the democratization of critical voices, how ambition is devoutly to be wished, and what’s been the most fundamental change in criticism in the last 20-30 years. (Length 27:29)

Episode 503. Too Much Parody?

[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]”Is there such a thing? Podcast listener and theatre critic Shannon Friday joins us to talk about this question, Read more…

Episode 355. Classical Music Critic

[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]”Robert Commanday is the founding editor of the San Francisco Classical Voice and for almost thirty years was the Read more…