Daniel Breaker’s ‘Judgment’

Daniel Breaker (Billions, Girls5eva) is appearing in Judgment Day in its world premiere at Chicago Shakespeare Theater in a production starring Jason Alexander. Daniel (above left, opposite Alexander) talks about discovering the fun and function of the role in the room, and how he loves experimenting in the science lab of comedy; then shares his love for the next great American play; his surprising inspiration for Donkey, the role he originated in Shrek The Musical; the important distinction of being raised Baptist rather than Catholic; how and why he found so much humor playing Aaron Burr in Hamilton on tour and Broadway; and the relaxed pleasure of sitting in “the Adirondack chair of acting”. (Length 17:54) (Photos by Liz Lauren)

CST’s Edward Hall

Edward Hall, the new artistic director of the Chicago Shakespeare Theatre, discusses his return to Chicago and his new production of Richard III, starring Tony Award-nominated actor and double-amputee Paralympian medal-winning athlete Katy Sullivan in the title role. Edward reveals what went into his choice of play (and actor); the beauty of happy accidents and wonder of actor-driven Shakespeare; how Shakespeare’s plays are endlessly intriguing and endlessly relevant; the challenge of showing the things we’re saying; the musicality of the American approach to Shakespeare’s verse; inspiration from Game of Thrones, Succession and The Bear; and embracing the Chicago ethos of ensemble and the improv rule of making your scene partner look better. (Length 19:09)

Episode 597. Lady Macbeth Herself

Chaon Cross plays Lady Macbeth in the exciting and literally magical production of the Scottish play directed by Aaron Posner and Teller in the current production at the Chicago Shakespeare Theatre, and discusses the challenges of finding the balance between the textual and theatrical and between character and razzmatazz; the difficulties of acting while performing magic; the art of creating a useful backstory; the pitfalls of human desires: the glory of creating a world; the relative usefulness of politics; and the surprising delight of speaking with Lady She-Who-Must-Not-Be-Named. (Length 21:16)