More Michael Chiklis

Emmy- and Golden Globe-winning actor Michael Chiklis returns to discuss some of the roles he’s played and some of the roles he’d like to play. Michael shares his pride in doing The Thing (not to be confused with ‘the thing’); the downside of success in a specific kind of role; his love of music and performing live; how he deals with critics; receiving praise from Stan Lee; the importance of reinvention; which Shakespeare roles he’d like to tackle next; and his arguments for the person he thinks wrote Shakespeare’s plays. (For those wanting an authoritative refutation of the various Authorship Theories, download the free PDF, Shakespeare Bites Back: Not So Anonymous, written by Shakespeare scholars – and RSC Podcast guests – Paul Edmondson and Sir Stanley Wells.) (Length 22:40)

Thing Of Darkness

What if Shakespeare didn’t die on April 23, 1616, and instead sailed to the New World? Novelist Allan Batchelder (the Immortal Treachery series) dives into speculative historical fiction to investigate this very question in his new novel This Thing of Darkness, which imagines the aging playwright creating a new family of outsiders amidst tension between their fellow English settles, the suspicious Powhatans, and a creature out of legend. Allan discusses his novel’s origins; how much of the historical record fuels his imagination; how he dives into and refutes various Authorship theories; how spite is a powerful motivator; how his experience as an actor, educator, former stand-up comedian and Girl Scout (!) influences his writing; how he navigates the dangers of writing from on-high; and the fun of positing a different kind of a relationship between William Shakespeare and Anne Hathaway. (Length 20:13)

Something Wonderful Now

Jeffrey Sweet’s Something Wonderful Right Away, an oral history of The Compass Players and Second City was first published in 1978 and it’s arguably still one of the definitive works about the rise of Chicago improvisation and maybe the defining actor training method of the second half of the 20th-century. Jeffrey discusses how the book came to be and talks about his encounters with such greats as Barbara Harris, Sheldon Patinkin, Jules Feiffer, Mike Nichols, Anne Meara, and Elaine May; how specific movies and plays revealed to him a specific style; reveals the joy and wonder of shared realities; what it means to have gotten a B from Martin Scorcese; gives a shout-out to oral history pioneer Studs Terkel; how poverty can be theatre’s friend; how the only two essential elements to theater are actors and audiences (not playwrights!); the devastating truth that playwriting is not literature; and finally, further proof that following your passion can frequently lead you to a career. (Length 20:45)