Jeffrey Sweet’s Something Wonderful Right Away, an oral history of The Compass Players and Second City was first published in 1978 and it’s arguably still one of the definitive works about the rise of Chicago improvisation and maybe the defining actor training method of the second half of the 20th-century. Jeffrey discusses how the book came to be and talks about his encounters with such greats as Barbara Harris, Sheldon Patinkin, Jules Feiffer, Mike Nichols, Anne Meara, and Elaine May; how specific movies and plays revealed to him a specific style; reveals the joy and wonder of shared realities; what it means to have gotten a B from Martin Scorcese; gives a shout-out to oral history pioneer Studs Terkel; how poverty can be theatre’s friend; how the only two essential elements to theater are actors and audiences (not playwrights!); the devastating truth that playwriting is not literature; and finally, further proof that following your passion can frequently lead you to a career. (Length 20:45) (PICTURED: Jeffrey Sweet in his one-person show You Only Shoot The Ones You Love. Photo bu Dixie Sheridan.)

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