Juliet To Hotspur

Character actor Alejandra Escalante has played ingenues at the Goodman Theatre in Chicago (Isabella, Measure For Measure), American Repertory Theatre in Boston (Desdemona, Othello), and for five seasons at the Oregon Shakespeare Festival (Juliet, Romeo and Juliet; Miranda, The Tempest; Princess of France, Love’s Labor’s Lost) where she also played gallant Hotspur in Henry IV, Part 1. Blessed with both the ability and the opportunity to play that kind of range, Alejandra talks about the perils and wonder of being a character actor trapped in an ingenue’s body; her initial reaction to being offered the role of Harry Percy; studying and then copying big ol’ barrel-chested dudes; how some of the most wonderful and successful actors never went to college theatre programs; the desire to revisit certain roles; and the joys of working with your former fiancé/now husband. (Length 18:43) (Pictured: Alejandra Escalante as Juliet and Hotspur in the Oregon Shakespeare Festival productions of Romeo and Juliet and Henry IV, Part 1. Also pictured: Daniel José Molina as Romeo.)

Marvel Musical Movies

What movie musical pairs best with what Marvel superhero movie? Nate Burger and Laura Rook (left), two married Chicago actors, are surviving the quarantine in the most entertaining and delightful of ways: Pairing Nate’s favorite Marvel superhero movies with Laura’s favorite movie musicals. Listen as they describe their method to this madness, and describe some similarities to Chris Pratt and Robert Preston; the beauty of healthy shirtless men in every genre (above); the glory of big musical numbers; which superhero movie qualifies as The Jesus Story (spoiler: most of them); the perfection of pairing Avengers: Age of Ultron with Little Shop of Horrors; surprisingly perfect pairings for Mamma Mia!, A Chorus Line, and Chitty Chitty Bang Bang; two terrific pairings for the two Ant-Man movies; and the importance of giving yourself permission to realize that enjoying fluffy garbage is the point. (Length 20:32)

Director Robert Falls (Part 2)

This week we continue our conversation with Robert Falls, the Tony-winning artistic director of the Goodman Theatre in Chicago. In addition to being well-known for directing classics like Arthur Miller’s Death of a Salesman and Eugene O’Neill’s The Iceman Cometh and Long Day’s Journey Into Night, Bob has worked on such possibly surprising material as the Elton John and Tim Rice musical Aida, and that’s where we pick up our conversation. Featuring the joy of working with actors; collaborating with Elton John, Tim Rice, and David Henry Hwang; tales of working on John Logan’s Red, and Shakespeare’s Winter’s Tale and Measure for Measure; why and how we’re drawn to certain plays or genres; false distinctions; some terrible phrasing and important corrections; why, for all the comedies Bob directs, he may be more of a tragedian; and the dual pleasures of tearing plays apart — and an audience’s heart out. (Length 18:54) HEAR PART ONE OF OUR CONVERSATION HERE! (Pictured: (l-r) Disney Theatrical’s Thomas Schumacher, Elton John, and Robert Falls in rehearsal for Aida, 2000.)

Playing Historical Characters

The Impostors Theatre

Glory Of ‘Ensemble’

Episode 453. Indoors Vs. Outdoors

Episode 395. Being Child Actors

Episode 355. Classical Music Critic

Episode 344. UK Tour Update

Episode 338. An Actor’s Wife

Episode 334. American Actors Abroad

Episode 322. Auditioning in London

Episode 309. The UnReduced Hamlet

Episode 169. Our Featured Creature

Episode 135. Acting Like Actors

Episode 130. Teachers We Love

Episode 33. Modern Slim Pickens