Actors

Meet The Cratchits

Jon Hudson Odom and Helen Jon Lee (above) reveal how they bring surprising joy to their portrayals of the iconic Mr. and Mrs. Cratchit in this year’s Goodman Theatre production of A Christmas Carol. Jon and Helen share the various productions that have inspired them; how they keep the performances fresh; how their own families shape their instincts; how the Cratchits code-switch; the moving and very personal interactions they’ve had with audience members; the value of avoiding “toxic positivity;” the Shakespearean nature of this classic text; and the importance of scorning the kind of modern-day Scrooges who would find this kind of diversity too “woke.” Also: a special appearance by Erin Allen, producer and host of the WBEZ podcast Curious City. (Length 22:52)

Podcast: Download (Duration: 22:52 — 26.3MB)

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By austin, ago

Quarter Century Caroler

Gregory Hirte (above) reflects on the twenty-five years (!) he’s been in the Goodman Theatre’s annual production of A Christmas Carol, and how both he and the show have changed in that time. Hirte reveals the benefits of being both an actor and a musician; the challenge of going where the work is; how he got started with Chicago’s famed Piven Theatre Workshop; tales of onstage mishaps; his vote for, not the best, but the fastest Scrooge; and finally, how the beauty of the story keeps bringing back actors – and audiences – year after year. (Length 18:35) (PICTURED, above: Gregory Hirte in the 2023 Goodman Theatre production of A Christmas Carol, directed by Jessica Thebus. Photo by Liz Lauren.)

Podcast: Download (Duration: 18:35 — 21.4MB)

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Celebrating The Bible

The Bible: The Complete Word of God (abridged), an irreverent celebration of “the greatest story ever accepted as fact” that was nominated for a Helen Hayes Award for Best New Play, celebrates its 30th anniversary this year, and Matthew Croke, Reed Martin, and Austin Tichenor reminisce about its creation and how much the world has changed since it premiered at the Kennedy Center in 1995. The original cast members reveal how they bent over backwards to make an entertaining innoffensive comedy; the genius of Steve Smith, the former director of Ringling Brothers Clown College; rave reviews from a Virginia nun and a minister from the Church of Scotland; and how, perhaps paradoxically, some of the show’s biggest fans are the most religiously devout. (Length 19:24)

Podcast: Download (Duration: 19:24 — 22.3MB)

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By austin, ago

Shannon Cochran’s ‘Paranormal’

Stage actor Shannon Cochran (August: Osage County) brings her horror movie bona fides (The Ring; The Hand That Rocks The Cradle) to the phenomenal new stage play Paranormal Activity, an original new story based on the successful film franchise now running at Chicago Shakespeare Theatre (followed by the Ahmanson Theatre in LA, American Conservatory Theatre in San Francisco, and the Shakespeare Theater Company in Washington DC). Shannon discusses the precision with which playwright Levi Holloway and director Felix Barrett ratchet up the tension; how everyone has demonic qualities they struggle to suppress (or, as actors, tap into); how to not play the ending; the importance of keeping audiences literally and metaphorically in the dark; and how making audiences laugh in a theatre is not even as great as making audiences jump, scream, and then laugh in a theatre! (Length 20:13)

Podcast: Download (Duration: 20:13 — 23.2MB)

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Sherlock & Scrooge

Allen Gilmore (above, right) plays Ebenezer Scrooge in A Sherlock Carol, a holiday mashup of Charles Dickens and Sir Arthur Conan Doyle now running in both New York (where Allen is) and London. A veteran Scrooge (having played him for many years at the Goodman Theatre in Chicago), Allen discusses how Ebenezer Scrooge is one of the great roles, comparing him to Leontes from Shakespeare’s A Winter’s Tale; how we stand on the shoulders of the Scrooges who’ve come before us; how the role is self-cleaning; how actors bring their own nasty to Scrooge; and how audiences recognize their nastiness in the character; and how the possibility of redemption is part of what makes A Christmas Carol so popular and enduring. (Length 18:30) (PICTURED: Drew McVety as Sherlock Holmes and Allen Gilmore as Ebenezer Scrooge in Mark Shanahan’s A Sherlock Carol, directed by Jen Waldman. Photo courtesy of Evan Zimmerman for MurphyMade.)

Podcast: Download (Duration: 18:30 — 21.3MB)

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Mike And Mandy

The Reduced Shakespeare Company’s own Michael Faulkner and his wife, actor Amanda Pajer, have created new musical identities as Mike & Mandy, writing and producing new music that’s being heard and buzzed about all over the world. For this special Valentine’s Day episode, they discuss working together as a couple and the process of collaboration; how they survived the pandemic by turning it into an opportunity; the danger of doing Twitter all wrong; how their eclectic and diverse musical tastes make it difficult to define their “brand”; the fun of upgrading both your equipment and your skillset; and the amazing moment when you discover you already know everything you need to know. (Length 21:52)

Podcast: Download (Duration: 21:58 — 0.0KB)

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731. Berko Speakeasy Christmas

Two-time Olivier Award-winner Adrian Scarborough talks about the latest edition of The Berko Speakeasy which has turned its annual holiday edition of festive favo(u)rites into a virtual international affair, allowing folks from all over the world to enjoy excellent short stories performed by terrific actors. Adrian discusses the pleasures and challenges of moving to a virtual format and reveals some other writing projects; the creativity and fun of editing; how he learns from masters and excellent teachers; the power and difficulty of a festive background; sobering up from being drunk with power; and how short stories provide more bang for your buck (and quid). Featuring smooth holiday music from guitarist Eric Essix off his album, My Gift To You. Get your tickets here, and follow the Berko Speakeasy on Twitter here! (Length 18:48)

Podcast: Download (Duration: 18:48 — 21.9MB)

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By austin, ago

Juliet To Hotspur

Character actor Alejandra Escalante has played ingenues at the Goodman Theatre in Chicago (Isabella, Measure For Measure), American Repertory Theatre in Boston (Desdemona, Othello), and for five seasons at the Oregon Shakespeare Festival (Juliet, Romeo and Juliet; Miranda, The Tempest; Princess of France, Love’s Labor’s Lost) where she also played gallant Hotspur in Henry IV, Part 1. Blessed with both the ability and the opportunity to play that kind of range, Alejandra talks about the perils and wonder of being a character actor trapped in an ingenue’s body; her initial reaction to being offered the role of Harry Percy; studying and then copying big ol’ barrel-chested dudes; how some of the most wonderful and successful actors never went to college theatre programs; the desire to revisit certain roles; and the joys of working with your former fiancé/now husband. (Length 18:43) (Pictured: Alejandra Escalante as Juliet and Hotspur in the Oregon Shakespeare Festival productions of Romeo and Juliet and Henry IV, Part 1. Also pictured: Daniel José Molina as Romeo.)

Podcast: Download (Duration: 18:44 — 21.8MB)

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By austin, ago

Marvel Musical Movies

What movie musical pairs best with what Marvel superhero movie? Nate Burger and Laura Rook, two married Chicago actors, are surviving the quarantine in the most entertaining and delightful of ways: Pairing Nate’s favorite Marvel superhero movies with Laura’s favorite movie musicals. Listen as they describe their method to this madness, and describe some similarities to Chris Pratt and Robert Preston; the beauty of healthy shirtless men in every genre (above); the glory of big musical numbers; which superhero movie qualifies as The Jesus Story (spoiler: most of them); the perfection of pairing Avengers: Age of Ultron with Little Shop of Horrors; surprisingly perfect pairings for Mamma Mia!, A Chorus Line, and Chitty Chitty Bang Bang; two terrific pairings for the two Ant-Man movies; and the importance of giving yourself permission to realize that enjoying fluffy garbage is the point. (Length 20:32) 

Podcast: Download (Duration: 20:32 — 23.9MB)

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Director Robert Falls (Part 2)

This week we continue our conversation with Robert Falls, the Tony-winning artistic director of the Goodman Theatre in Chicago. In addition to being well-known for directing classics like Arthur Miller’s Death of a Salesman and Eugene O’Neill’s The Iceman Cometh and Long Day’s Journey Into Night, Bob has worked on such possibly surprising material as the Elton John and Tim Rice musical Aida, and that’s where we pick up our conversation. Featuring the joy of working with actors; collaborating with Elton John, Tim Rice, and David Henry Hwang; tales of working on John Logan’s Red, and Shakespeare’s Winter’s Tale and Measure for Measure; why and how we’re drawn to certain plays or genres; false distinctions; some terrible phrasing and important corrections; why, for all the comedies Bob directs, he may be more of a tragedian; and the dual pleasures of tearing plays apart — and an audience’s heart out. (Length 18:54) (Pictured: (l-r) Disney Theatrical’s Thomas Schumacher, Elton John, and Robert Falls in rehearsal for Aida, 2000.)

Podcast: Download (Duration: 18:54 — 22.0MB)

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By austin, ago

Playing Historical Characters

Three members of the fantastic ensemble gathered together for the Goodman Theatre production of Theresa Rebeck’s Bernhardt/Hamlet – William Dick, Gregory Linington, and Larry Yando – gather to discuss the particular obligations that must be considered when playing real historical figures. Featuring extensive dramaturgical research, actual archival video, the wild imaginative leaps required to be able to portray a 19th-century critic as if he were human, tributes (or ripoffs?) from Trader Joe’s, the invention of merch, arguments about Hamlet’s age, similar pressures playing the famous historical figure Ebenzeer Scrooge, the ultimate dedication to the playwright’s text, and a play ostensibly about a diva that’s actually about an ensemble. (Length 22:43) (Pictured (l to r): William Dick, Larry Yando, and Gregory Linington in the Goodman Theatre production of Theresa Rebeck’s Bernhardt/Hamlet, directed by Donna Feore. Photos by Liz Lauren.)

Podcast: Download (Duration: 22:43 — 26.3MB)

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The Impostors Theatre

Rachel Borgo is the Executive Director of Chicago newest young theatre ensemble, The Impostors Theatre Company, a group of like-minded Valparaiso theatre department alums who believe in the value of playing pretend. Featuring the paradox of being both boastful and self-deprecating; the importance of identity (with reference to the Folger Shakespeare Library’s “Shakespeare & Beyond” Blog); the power of transformation and change; the glory of being childlike without being childish; the wonder of finding a home at Collaboraction Studios; Rachel’s screenwriting debut with When Jeff Tried to Save the World; the enormously supportive theatre community (sometimes including dogs); the need to get your clicks up; and finally, the career advantages of always carrying Pepto-Bismol in your purse. (Length 17:56)

Podcast: Download (Duration: 17:56 — 20.9MB)

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By austin, ago

Glory Of ‘Ensemble’

Mark Larson discusses his wonderful new book Ensemble: An Oral History of Chicago Theater, a magnificent (and massive!) collection of first-person narratives from such theatre legends as Alan Arkin, Brian Dennehy, Andre DeShields, Laurie Metcalf, Mary Zimmerman, Michael Shannon, Regina Taylor, RSC alum David Razowsky, David Schwimmer, and literally hundreds more, all explaining both the history and the unique nature of Chicago theatre as they lived and created it. Featuring gratitude to those who came before us; the concept of the Chicago theatre community itself as a massive ensemble; theatre as a civic point of pride; eliminating unnecessary characters (like the author); answering the question of why the concept of ensemble developed such strong roots in this particular city; the biggest surprises from this four-and-a-half year process (and how it relates to podcasting); similarities to Studs Terkel and Tom Wolfe; tales of enormous will and enormous generosity; great white whales who got away; the benefits of being an outsider at the edge of the story; making the reader feel part of the Chicago theatre community; how individuals and institutions assist and mentor others; and ultimately the freedom — the ability, the need — to take risks. (Length 21:45)

Podcast: Download (Duration: 21:45 — 25.2MB)

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Episode 395. Being Child Actors

We’ve been called childish actors, but Caroline Heffernan and John Francis Babbo, are actual child actors, two members of the six-actor cast of the Lookingglass Theatre Company world premiere production of In The Garden: A Darwinian Love Story. Hear these two young professionals discuss navigating the relatively adult worlds of theatre and television, being wrangled, surviving surprisingly healthy environments, handling inappropriate language, dealing with showmances, and offering most excellent tips on how to avoid being obnoxious. (Length 16:39)

Podcast: Download (Duration: 16:39 — 15.4MB)

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Episode 33. Modern Slim Pickens

Character actor/comedian David Koechner (Anchorman, Thank You For Smoking, Snakes on a Plane) tells tales of typecasting and creating comic characters, and deconstructs his short-lived Comedy Central TV show, The Naked Trucker & T-Bones Show. Featuring a special appearance by Gerald ‘T-Bones’ Tibbons (left). Boop! (MP3. Length 26:20)

Podcast: Download (Duration: 26:53 — )

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By austin, ago