Episode 404. The Scottish Effect

Published by austin on

“2014-08-22 17.59.28Novelists Alexandra Sokoloff (American) and Craig Robertson (Scot) discuss how living in Scotland inspires their work. Featuring thin boundary issues, chasing markets, how art imitates life, so-called “monster-boning”, the differences between Glasgow and Edinburgh, shout-outs to novelists Ian Rankin, Alexander McCall Smith, and Christopher Moore, and how a successful career in journalism can lead to a life of crime…fiction. Recorded in the Pleasance Courtyard during the 2014 Edinburgh Fringe Festival. (Length 23:22)

Podcast: Download (Duration: 23:22 — 21.6MB)

Subscribe: Spotify | RSS | More

Categories: Reduced Shakespeare Company Podcast
Tags:

0 Comments

Leave a Reply

Avatar placeholder

Related Posts

Play(s), Not Work(s)

Mary Hartman, the director of education at Bard on the Beach Shakespeare Festival in Vancouver, BC, Canada, shares her philosophy for Shakespeare education and its emphasis on play. Mary reveals why threads is a better term than themes; how Shakespeare’s plays should not be poetry readings; how she's developed the Discovery Zone, an extensive free resource for both students and educators; and how so much of Shakespeare’s power is not just in his words, but in the relationship of actors to each other and to the audience. NOTE: This conversation was recorded the night before we learned Tina Packer, the Founding Artistic Director of Shakespeare & Company in Lenox, Massachusetts and an acclaimed director, actor, writer, and teacher, died at the age of 87. Tina was a mentor to generations of artists, scholars, and educators, including Mary, and so this conversation is an unintentionally timely tribute to and celebration of the legacy of Tina Packer. (Length 19:30)

Casting The Pitt

Cathy Sandrich is the Emmy-winning casting director of The Pitt, HBO's Emmy-winning outstanding drama beginning its second season this week. A veteran of various "big boy movies," Cathy reveals how she sees thousands of actors for hundreds of roles; the supreme importance of lists; how one starts over with every project; the importance of strong and truthful choices; how casting directors have to audition just like actors and, also like actors, don't like to be pegged; how good is always good but sometimes not quite right; and, most encouragingly, how great auditions are never wasted. (Length 22:09)

The RSC Christmas

On its 30th anniversary, we present the complete audio of The Reduced Shakespeare Company Christmas, which walked so The Ultimate Christmas Show (abridged) could run, and was first recorded and broadcast on Public Radio International in 1995. Featuring conversations with both the crew of Yule-Sat and Charles Dickens; festive (and occasionally dated) partying at the RSC HQ in Northern California; the ten-minute "The Complete Christmas Carol (abridged);" and the original in-context version of that would-be holiday classic "Mrs. Santa Claus." (Length 47:35)