Writing

Sidney Berger Award

At the closing night banquet of last weekend’s Shakespeare Theatre Association conference in San Francisco, Reduced Shakespeare Company artistic directors Reed Martin and Austin Tichenor were awarded the Sandra and Sidney Berger Award “in recognition of their outstanding talent and dedication to the works of William Shakespeare.” In a conversation recorded immediately afterward, Reed and Austin express their shock and gratitude; thank the many people who have kept the RSC going over the years; share an excerpt of their acceptance speech; and talk about their decades-long journey that brought them to this unlikely moment. (Length 19:30)

Podcast: Download (Duration: 19:30 — 22.4MB)

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By austin, ago

Shakespeare’s Language Playfulness

Anne Curzan – University of Michigan linguistics professor, podcast host, and author of Says Who? A Kinder Funner Usage Guide for Everyone Who Cares About Words – returns to the podcast to talk about how William Shakespeare is used as a source for the origins of hundreds of words, as well as inspiration for a playful approach to language. Anne discusses the unprecedented speed with which language travels and changes today; how slang is “the people’s poetry;” an unconventional definition of the word expert; how “it’s even in Shakespeare!” can serve as classroom legitimization; the British and American distinctions between collective nouns; and how Shakespeare might have been the TikTok of his day. (Length 22:02)

Podcast: Download (Duration: 22:02 — 25.3MB)

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By austin, ago

Special Christmas Encore!

For this special encore podcast episode, we present – in its entirety – the complete and unabridged recording of A Little Dickens: The Complete Christmas Carol (abridged). (Dickens’s story is abridged, not the recording. You’ll work it out.) First heard on Public Radio International in 1995, this antic audio adaptation features Reed Martin as Jacob Marley, Matthew Croke as Tiny Tim, and Austin Tichenor as Ebenezer Scrooge (the role he’s currently playing at Chicago’s Goodman Theatre). May it warm your cockles! (Length 10:47)

Podcast: Download (Duration: 10:48 — 12.5MB)

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By austin, ago

Sondheim Life Lessons

Richard Schoch returns to discuss How Sondheim Can Change Your Life, his latest book that offers new insights into the work of Stephen Sondheim, how it was created, how it’s affected audiences for over 60 years, and – yes – what life lessons can be gleaned from his shows. Richard reveals some fascinating inside publishing baseball; reasons for the addition of the song “Something Just Broke” in Assassins; academic backup from Mandy Patinkin; how he makes a close reading of the text so personal and readable; and a surprisingly cogent answer to the facile question of whether Sondheim is our modern Shakespeare. (Length 29:49)

Podcast: Download (Duration: 29:49 — 34.2MB)

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By austin, ago

PC Holiday Stories

Humorist and novelist James Finn Garner returns to discuss his New York Times bestselling collection Politically Correct Holiday Stories and how the holidays represent a deeply personal literary tradition. Jim shares how challenging it was to walk that satirical line between poking fun at holiday cant while still embracing genuine sentiment; how a holiday story was his first published work; how bedtime stories were easier to satirize because everything’s so black and white; how play can be the best form of celebration; how he wants to shift holiday paradigms and sit down to a feast of mutual delusions; and the thing that made a hard-boiled humorist go all soft and squishy inside. (Length 19:22)

Podcast: Download (Duration: 19:22 — 22.3MB)

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By austin, ago

Shakespeare’s Borrowed Feathers

Darren Freebury-Jones’s fascinating new book, Shakespeare’s Borrowed Feathers: How early modern playwrights shaped the world’s greatest writer, contextualizes Shakespeare’s writing and examines how it expands upon and diverges from the other plays being written at the time. In this fun conversation, Darren, a lecturer in Shakespeare Studies in Stratford-upon-Avon, considers alternate ways of identifying Shakespeare’s artistry; dispels the myth of Shakespeare as a solitary genius; likens this kind of early modern study to examining the output of a single band’s music without reference to other bands making music at the same time; and reveals how Shakespeare, as part of a thriving theatrical community, was less an upstart crow than a brilliant magpie. CONTENT WARNING: There will be math(s). (Length 24:28)

Podcast: Download (Duration: 24:28 — 28.1MB)

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By austin, ago

Ring Reduced Remembered

It’s the Podcast’s 18th birthday! Austin Tichenor, Reed Martin, and Adam Long celebrate the 30th anniversary of The Ring Reduced, the RSC’s 1994 film for Britain’s Channel 4 which compressed Wagner’s epic opera Der Ring des Nibelungen into a brief and palatable 24 minutes. Adam, Austin, and Reed share their favorite fun facts about Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung; reveal their inspiration from Anna Russell; speculate on comic directions not taken; confirm that the Reduced Shakespeare Company is completely and utterly responsible for the success of Ted Lasso; disclose how they created the most expensive and complicated gag of the entire shoot; and marvel how for one brief shining moment, they were the Rhinemaidens of all media. (Length 29:09)

Podcast: Download (Duration: 29:09 — 33.5MB)

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By austin, ago

Charlotte Booker’s ‘Alive!’

Charlotte Booker discusses her show Elsa Lanchester: She’s Alive!, which celebrates the great character actress who played the title role in The Bride of Frankenstein and runs Wednesdays and Thursdays this month at the Venus Cabaret in Chicago. Charlotte is joined both onstage and in this conversation by her husband and accompanist Mark Nutter, and shares some of the secrets and similarities between her and her subject, including youthful flings with onstage nudity; the glory of being the first female monster; how Elsa was raised to be a free spirit by artist-Bohemians and became the former It Girl of London; playing Katie Nanna in Mary Poppins and Miss Marbles in Murder by Death; being drawn to fellow redheads; the challenges of having an “absinthe father;” the perils of being institutionalized for “over-education;” and the posthumous joy of being a Goth icon. (Length 20:32)

Podcast: Download (Duration: 20:32 — 23.6MB)

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By austin, ago

West Texas Weirs

Actor and comedian Stephnie Weir (Mad TV, Crazy Ex-Girlfriend) discusses the origins of her one-woman show The West Texas Weirs, which she performs this weekend at Chicago’s IO Theater. Stephnie shares how she grew up on a used car lot; how dealing with a complicated father made her the person she is today; the trick of navigating unconventional relationships with reality; how family vacations were planned around repossessing cars; the potentially NSFW origin of terms like “hunty” and “askholes;” how vowels are expensive; and how a comedic exorcism can help process our feelings about complicated men. (Length 18:06)

Podcast: Download (Duration: 18:06 — 20.8MB)

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By austin, ago

Updating America (Abridged)

They keep writing American history so we have to keep reducing it! Playwrights Reed Martin and Austin Tichenor discuss how they’ve updated The Complete History of America (abridged), which they wrote with Adam Long back in 1993. Reed and Austin share how Dee Ryan’s recent one-hour production of the script was so helpful; how Reed discovered who the most pivotal figure in American history has been for the last 30 years; the challenges of keeping up just the last two weeks of American history; how the “Special Election Edition” that the RSC performs differs from the published version of the script; why Reed’s heavy teaching schedule prevents him from joining us on the road; and how adjunct professors are doing the Lord’s work (without the benefits). (Length 18:18)

Podcast: Download (Duration: 18:18 — 21.0MB)

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By austin, ago

Louis Bayard’s Wilde

Novelist Louis Bayard’s new book The Wildes: A Novel in Five Acts, depicts the fateful weekend in 1892 that spawned not only the comedy of Oscar Wilde’s The Importance of Being Earnest but the tragic downfall of Oscar’s family. Bayard reveals how he walked that tonal line; how he’s been in touch with Wilde’s still-living grandson; how he combined the historical romance of Courting Mr. Lincoln with the suspense and intrigue of The Pale Blue Eye; how it’s easier to depict famous characters through the eyes of their contemporaries; and how Constance Wilde finally glimpsed the flamboyant public persona of her otherwise devoted husband and father. (Length 19:31)

Podcast: Download (Duration: 21:21 — 24.5MB)

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By austin, ago

Royko: Chicago’s Shakespeare

Writer and actor Mitchell Bisschop discusses his new one-man show Royko: The Toughest Man in Chicago, now running at the Chopin Theater until the end of September (2024). Bisschop shares his inspirations for the show, including talking to Royko’s surviving friends and relatives; how he based his script on Royko’s 34-year career and over 7500 columns; how Royko – like a Shakespearean fool – told truth to power and ended up winning a Pulitzer Prize; how he got to know Royko’s “leg creatures;” and how Mike Royko asked the questions nobody else was asking. (LENGTH 18:20)

Podcast: Download (Duration: 18:20 — 21.1MB)

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By austin, ago

Alice’s Kindred Spirits

Playwright Alice Scovell (The Rewards of Being Frank) discusses her new comedy Kindred Spirits, a sequel to Noël Coward’s Blithe Spirit now having its world premiere at Cincinnati Shakespeare Company (and featuring our own Austin Tichenor as Charles Condomine, whose late wives Elvira and Ruth return once again to stir up trouble). Scovell talks about how she gave Oscar Wilde’s characters from The Importance of Being Earnest the seven-year-itch; how she’s played around in the STU – the Shakespeare Theatrical Universe – through her sequel to Love’s Labor’s Lost; the challenges and rewards of negotiating with an author’s estate; and how a life of theatergoing has led to a new life of theatre making. (Length 21:36)

Podcast: Download (Duration: 21:36 — 24.8MB)

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By austin, ago

Anne Curzan Says

Linguistics professor and podcast host Anne Curzan talks about her new book Says Who? A Kinder, Funner Usage Guide for Everyone Who Cares About Words, which is exactly what it says: A fun and lively conversation about language and the kinds of rules that helpful, and the kind you can ignore. Anne reveals how she came to study language and its history; how she values reducing ambiguity and promoting clarity; the importance of knowing your audience; how to approach new words and usages like a birdwatcher; and how she can assist in the epic struggle between your inner “wordie” and your inner “grammando.” (Length 18:47)

Podcast: Download (Duration: 18:47 — 21.6MB)

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By austin, ago

Token Theatre’s RomCom

Who doesn’t love a romcom? David Rhee and Wai Yim discuss Zac Efron, their sweet and very funny romantic comedy now having its world premiere as the inaugural production of Token Theatre Company, whose aim is to change the narrative and shatter false constructs about Asian Americans. David and Wai (who are also Token’s Artistic and Managing Directors) share how they created their version of a Disney movie and translated Wai’s YouTube channel to the stage; successfully avoided traps and make fools of themselves in a good cause; juggle serious themes of AAPI hate crimes and Asian representation; and melded something hugely joyful with something more “important.” (Length 17:20)

Podcast: Download (Duration: 17:20 — 19.9MB)

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By austin, ago

The Bard’s Book

Ann Bausum, the author of The Bard and the Book: How the First Folio Saved the Plays of William Shakespeare From Oblivion, discusses how she first discovered the story of Shakespeare’s First Folio and why she decided to share it with young readers. Bausum reveals her Shakespeare origin story; the delight of seeing different generations respond to Shakespeare’s plays; wildly inappropriate metaphors for turning kids on to history and literature; a massive shoutout to the American Players Theatre in Spring Green, Wisconsin; gratitude to playwright Lauren Gunderson and the Folger Shakespeare Library; and how children’s literature, like children’s theatre, is the best training for effective communication. (Length 18:09)

Podcast: Download (Duration: 18:09 — 20.9MB)

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By austin, ago

Ruining Father’s Day

Mark Nutter and Tom Wolfe bring their special blend of comedy and music to an evening entitled “Another Father’s Day Ruined,” part of the Solo Sunday series held at Mrs. Murphy & Sons Irish Bistro. Mark and Tom discuss their 30-plus-year partnership and reveal their collaborative – for want of a better word – “process;” the ways in which neither of them are Mick Jagger; the time Tom opened for Bill Hicks; a history of ruining other things, like opera and Gershwin; memories of writing and filming the Chris Farley and Matthew Perry comedy Almost Heroes; and almost dying while researching Wild Men, their early-90s parody of Robert Bly’s Iron John. (Length 21:36)

Podcast: Download (24.8MB)

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By austin, ago

Liz Allen’s ‘Mother’

Improviser, improv coach, and “ensemble whisperer” Liz Allen discusses her one-person show Tonight, I Am My Mother, her darkly comic exploration of her mother’s alcoholism, in which Liz plays multiple roles (seamlessly). Liz talks about moments of discovery in her childhood; reveals her script’s inspiration; shares stories of working with comedian Mike Birbiglia on his film, Don’t Think Twice; marvels over her show’s Shakespearean levels; confesses the importance of taking creative license; and celebrates the rewards of bringing a complicated family member back to life. (Length 24:39)

Podcast: Download (28.3MB)

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By austin, ago

Screwed-Up Teenagers

Scott Bailey’s new book Romeo, Juliet, and Other Screwed-Up Teenagers: An Irreverent Guide to Introducing the World’s Most Staggeringly Inappropriate Play to a Classroom Full of Confused Freshmen is a funny and frank look at Shakespeare’s arguably most popular play, and a great resource for educators, students, and even professional actors. Scott reveals his Shakespeare background, both onstage and for almost 30 years in the classroom; how his Renaissance Faire origin story coincides with the early days of the RSC; the surprise of taking a year off and discovering you have a book in you; and finally, the wonder of constantly discovering new things about a 400-year-old play. (Length 22:47)

Podcast: Download (Duration: 22:47 — 27.4MB)

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By austin, ago

Ondřej Pšenička’s Magic

He’s fooled Penn & Teller three times, and now Ondřej Pšenička is fooling audiences every week at the Chicago Magic Lounge in his new show 52 Lovers. Ondřej reveals surprising secrets (but not all of them!) about how he builds his tricks; the difference between being a manipulator and being a conductor; how comedy can enhance the magic when it doesn’t accidentally ruin it; how his theatre background made him a better magician; the crucial importance of audience management; and magic’s inherent promise to bring audiences back to a place of wonder. (Photo by Martin Vecera.) (Length 21:24)

Podcast: Download (Duration: 21:24 — 24.6MB)

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By austin, ago

Michelle’s ‘Green World’

Michelle Ephraim – a Professor of English and (with Caroline Bicks), the cohost of the Everyday Shakespeare podcast and the co-author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas – joins us this week to talk about her frank and funny new book, Green World: A Tragicomic Memoir of Love & Shakespeare. Michelle reveals she discovered Shakespeare surprisingly late; how “fun” is a a perfectly fine description of her sometimes fraught memoir; the shared curse of meeting hero Stephens; how Shakespeare became a source of both pain and solace in the wake of a parent’s death; how her relatively cushy job became surprisingly hazardous; and, finally, how Shakespeare – a dead European white man – became a very relatable force for inclusion. (Length 19:31)

Podcast: Download (Duration: 19:31 — 22.4MB)

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By austin, ago

Visiting ‘Shakespeare’s House’

Richard Schoch discusses Shakespeare’s House: A Window Onto His Life and Legacy, his wonderful new history of not only the building in Stratford-upon-Avon that William Shakespeare was born in, but how that building survived and became ground zero in the Shakespeare tourism industry. Schoch reveals how he discovered the dual focus of his book; how it took almost 200 years for people to realize the treasure that still stood in their midst; the shenanigans played by people who first depicted Shakespeare’s birthplace; the important distinctions between restoring a house and remaking it; the trick of hitting that sweet spot between writing an academic history and a popular one; and how the most important person in Shakespeare’s birthplace is not Shakespeare but the visitor. (Length 18:52)

Podcast: Download (Duration: 18:52 — 21.7MB)

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By austin, ago

All Our Yesterdays

Joel H. Morris discusses his debut novel All Our Yesterdays – no, not the penultimate episode of Star Trek: The Original Series – which tells the compellingly plausible story of the events that lead up to William Shakespeare’s Macbeth. Morris reveals his multiple inspirations, both literary and personal; how investigations into the actual historical couple Shakespeare based his play on informed his novel; the ways in which writing is a process of discovery; how he balanced the political and the personal, the natural and supernatural; how he summoned the courage to explore one of literature’s most famous characters; and the wonderful inability to let go of characters that won’t let you go. (Length 22:56)

Podcast: Download (Duration: 22:56 — 26.3MB)

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By austin, ago

Writing ‘Tragedy Averted’

Washington Post humor columnist Alexandra Petri discusses her Shakespearean summer camp comedy Tragedy Averted, now having its midwest premiere at the IO Theatre in Chicago. Tragedy Averted showcases four Shakespeare heroines – Juliet, Cordelia, Desdemona, and Ophelia – who bond at summer camp while struggling with romance, friendship and difficult dads. In conversation with the production’s director Dee Ryan, Alexandra shares the origins of her humor; the depth of her nerdery; inspirational messages from W.H. Auden and T.H. White; the comfort of knowing she always wanted to be a writer; spoileriffic exegesis; her firm belief that any crisis can be addressed head-on, Hamlet-like, by writing a play about it; and how fan fiction means you love the source text but have a significant bone to pick with it. (Length 19:14)

Podcast: Download (Duration: 19:14 — 22.1MB)

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By austin, ago

Mark Larson’s ‘Working’

Mark Larson, the author of Ensemble: An Oral History of Chicago Theatre, returns to the podcast to talk about his newest book, Working in the 21st Century: An Oral History of American Work in a time of Social and Economic Transformation, a powerful and insightful collection of interviews that gives a megaphone to some important but quiet voices. Mark reveals how this latest book is timed to the 50th anniversary of Studs Terkel’s classic oral history Working; the joys of serendipity; how subjects reveal themselves to interviewers; the important work of giving a megaphone to quiet voices; and the path towards making this new Working a classroom staple (and maybe a Broadway musical). (Length 18:02)

Podcast: Download (Duration: 18:02 — 20.7MB)

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By austin, ago

Stick-Figure Hamlet

For our landmark 900th episode, Mya Gosling and her pocket dramaturg Kate Pitt discuss the epically comic A Stick-Figure Hamlet, Mya’s hysterical and surprisingly rich retelling of Shakespeare’s play from the creative mind behind GoodTickleBrain, the internet’s greatest (and possibly only) Shakespearean webcomic. Mya and Kate reveal the Hamlets they have known and loved; the marvelous elasticity of the comic form; whether Hamlet is legitimately a great play or merely an influential one; the fun of going behind the scenes of the play; how artists can transform the source material; the importance of bringing Ophelia to the fore; having a place to put all your favorite Hamlet Fun Facts; completely bonkers 19th-century productions of the play; and the immense value of taking not only Shakespeare’s play but the conversations about the play off their hifalutin pedestals. (Length 23:14)

Podcast: Download (Duration: 23:14 — 0.0KB)

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By austin, ago

Harpo And Chico

Reed Martin has written Harpo and Chico and Bill, a new comedy about Harpo Marx, his son Bill, and Harpo’s brother Chico as they try to put one final live stage show together late in their careers. Written during the pandemic, Reed’s play is is now having its world premiere (under his direction) at San Joaquin Delta College in Stockton. Reed discusses how the script came to be, how it’s evolving with his all-student cast, and where it might go from here; how he got to meet Harpo’s son Bill; how Reed exaggerated the drama (but only a little); how you can’t find a single person who has a bad word to say about Harpo; the importance of family both onstage and off; and how Reed’s performing the public service of introducing a new generation to classic comedians and timeless bits. (Length 22:16)

Podcast: Download (Duration: 22:16 — 25.6MB)

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By austin, ago

Dominic’s Debut Novel

The RSC’s own Dominic Conti has published his debut novel Your Book Club, a weird and compelling character-driven mystery that explores madness and “reexamines the art of reading and the postmodern experimental meta novel.” Dominic reveals his unconscious influences; a few mild spoilers; the difference between writing a play and a novel; the perfect director for the film adaptation; inspiration from both Stephen King and Ken Kesey; the significance of one specific proper name; unreliable narrators; and the vital importance of continuing to write so you can discover what you have. Your Book Club – the perfect choice for your book club! (Length 21:42)

Podcast: Download (Duration: 21:42 — 24.9MB)

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By austin, ago

Banning “The Bible”

Last week was the tenth anniversary of “The Kerfuffles,” that time when our performance of The Bible: The Complete Word of God (abridged) was banned by conservative politicians and then UNbanned when an international media storm arose. Co-authors Reed Martin and Austin Tichenor, and Matt Croke – the show’s original cast (pictured above) – reminisce about the creation of the script, how it developed in workshop performances, and how the controversy was handled. Featuring the show’s big Broadway musical ending; conscious comic and commercial decisions; lost scenes and cut props; and the importance of always heeding the wisdom of former dean of Ringling Brothers Clown College Steve Smith. (Length 24:28)

Podcast: Download (Duration: 24:28 — 28.1MB)

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By austin, ago

Measuring The Laughs

On the eve of our upcoming tour of The Complete History of Comedy (abridged), co-authors and RSC co-artistic directors Reed Martin and Austin Tichenor talk about measuring the success of a production, and how it’s easier with a comedy but not so much with a drama. Reed and Austin reveal how comedy opens up the heart; how laughs preceded by quiet moments are usually stronger; their greater willingness to go on a comic journey than a tragic one; a shout-out to George Saunders’s book A Swim in a Pond in the Rain; their feelings about whether Chekhov’s plays are actually funny; their ability to take their own notes about slowing down; how not all laughs are created equal; a special appearance by half an EGOT winner “Weird Al” Yankovic; the complete song, “I Laughed Till I Cried;” and the ultimate challenge of wondering whether a quiet audience is enthralled or simply bored. HEAR HERE! (Length 20:36)

Podcast: Download (Duration: 20:36 — 23.7MB)

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By austin, ago

Spanky’s Serial Killer

Improviser, storyteller, and teacher Jonathan Pitts’s one-man show My Dad, His Chimp, and a Serial Killer tells the real-life story of his father David, a skater with the Ice Capades who was driving across the country with his ice-skating chimpanzee Spanky when they picked up a hitchhiker who turned out to be a serial killer. Jonathan shares how he discovered this unknown part of his father’s past; how he turned it into the piece he performed at Lifeline Theatre’s Fillet Of Solo Festival; how the story inspired the film He Went That Way, starring Zachary Quinto and Jacob Elordi; the multiple forms this story has taken; the journey he and his father have been on; and the hazards of going up against 9/11 stories. (Length 22:10)

Podcast: Download (Duration: 22:10 — 25.5MB)

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By austin, ago

Favorite Shakespeare Lines

For this first podcast of 2024, father and son authors David Crystal and Ben Crystal share their (many!) favorite quotations they’ve collected in their handy and handsome book, Everyday Shakespeare: Lines for Life. The two Crystals reveal they combined their perspectives as practitioner and linguist, and share how they’ve explored the corners of the canon and found gold; the satisfaction of breakfast-time rituals; how words and their meanings – and their pronunciations! – have changed over the centuries; and the wonder of discovering the diversity of Shakespeare’s voices and characters. (Length 20:05)

Podcast: Download (Duration: 20:05 — 23.1MB)

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By austin, ago

Muppet Christmas Carol

Author Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha) has written the definitive argument that The Muppet Christmas Carol is the best film adaptation of Dickens’s classic novella for the website Bright Wall/Dark Room. Warren – both a nerd about and expert on all things Christmas Carol – explains how the Muppets perfectly capture Dickens’s authorial voice and shares his thoughts on Scrooges he has known and loved (and loathed). Having viewed every existing film version multiple times for his Christmas Carol Advent Calendar™ video essays, Warren now yearns for a Muppet Hamlet and Muppet Wuthering Heights and reaches the inescapable conclusion that Charles Dickens was the very first Muppet. (Length 20:09)

Podcast: Download (Duration: 20:10 — 23.2MB)

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By austin, ago

Marley’s Christmas Carol

On its 20th anniversary, actor and playwright Tom Mula discusses the stage adaptation of his book Jacob Marley’s Christmas Carol, which is available to license via Dramatists Play Service. Mula reveals how Marley helping with Scrooge’s redemption inspired Tom to help with Marley’s; how A Christmas Carol remains an enduring personal myth; how, like Scrooge himself, he too was haunted by Jacob Marley; how he helped settle two ghosts; how cartoonist Nicole Hollander helped him get published; his complicated feelings about having a resting Scrooge face; his fear about living up to the set design; and the beautiful art of surviving a demanding role and how it can inform your future work. (Length 17:08)

Podcast: Download (Duration: 17:08 — 19.7MB)

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By austin, ago

Hot Santa Extravaganza

Artist and author Gary Andrews (Finding Joy; Daisy the Littlest Zombie) has created the new holiday classic Hot Santa and the Twelve Days of Christmas, his “sumptuously illustrated novella” which sends his incredibly buff St. Nick on a time-traveling quest to gather all the items mentioned in the famous song. Gary reveals the origins of his Hot Santa character via his #DoodleADay diary; the benefits of finding sleep incredibly overrated; his brilliant contribution to the canon (which explains how Santa’s able to get around the world in just one night; a possible crossover sequel; and how making the most of our one crack at life is an wonderfully meaningful holiday message. (Length 19:04)

Podcast: Download (Duration: 19:04 — 21.9MB)

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By austin, ago

Everyday Shakespeare Lines

Ben Crystal and David Crystal – authors of multiple works, including Shakespeare’s Words and The Oxford Illustrated Shakespeare Dictionary – discuss their new book Everyday Shakespeare: Lines For Life, a collection of overlooked gems plucked from the canon, organized by monthly themes, and suitable for many situations and every reader. The Crystals share how they selected each quote (and how they wanted to avoid the famous ones); how when you pan for Shakespeare gold you find more than you expect; how their unique approaches to Shakespeare reflect their approaches to life; the variety of places they plant their geek flags; the wonderful realization that the more you dig into the words, the more the author recedes; and the surprising beauty of getting hit in the heart rather than the head. (Length 26:41)

Podcast: Download (Duration: 26:41 — 30.6MB)

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By austin, ago

Let’s Build Forts!

Julie Ritchey, the founding artistic director of Chicago’s Filament Theatre, and scenic and installation designer Eleanor Kahn are two members of the team that created Forts!, the play that turns the audience loose in a controlled environment to create their own event. Julie and Eleanor discuss the creation of Forts! and how it changes despite somehow staying the same; how they’re exploring the intersection of play (the noun) and play (the verb); the challenge of creating a Forts! signature cocktail; the important question of why only toddlers get to wear fun fashions; and why Forts! is a play, not a show, and definitely not an experience. Welcome to podcasting on the edge! (Length 17:23)

Podcast: Download (Duration: 17:23 — 20.0MB)

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By austin, ago

Daisy the Littlest Zombie

“Some zombies are big
Some zombies are small
But Daisy’s the littlest zombie of all…”
So begins Daisy the Littlest Zombie, the sing-songy coming-of-age tale for children of most ages written by Austin Tichenor and illustrated by Gary Andrews (and published by Sordelet Ink). Austin and Gary reveal how this tale of the undead was brought to life; their love of mashing up genres; how darkness can be cathartic; why it’s sort-of Shaun of the Dead for kids; the joy of including (and discovering!) Easter eggs; inspiration from a performance of Completely Hollywood (abridged); their decision to follow up on the massive success of their award-ignored web series Drawing on Shakespeare; their shared experiences of being a dad to a brother and sister raised in theaters; and how they found meaning and humor in combining profundity and silliness. Now available on all digital platforms and in a handsome hardcover edition! (Length 20:57)

Podcast: Download (Duration: 20:57 — 24.1MB)

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By austin, ago

Playwright Sarah Ruhl

Award-winning playwright, author, and professor Sarah Ruhl discusses her playwriting philosophy and influences ranging from Ovid to Alice in Wonderland and beyond. Sarah shares her reluctance to categorize her plays and reveals how her theatre heart lives in the mix of comic and tragic modes; opens up about the origins of her popular version of Eurydice; discusses how she wants to put the “play” back in “playwriting;” expounds on her wonderful book, 100 Essays I Don’t Have Time to Write; graciously puts up with impertinent questions; and talks about her journey from poet to playwright, her discovery that plays can be three-dimensional poems, and her strong feeling that Chicago is her artistic home. (Length 15:30)

Podcast: Download (Duration: 15:30 — 17.8MB)

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By austin, ago

Storyteller Neal Foard

Neal Foard’s short videos on Instagram, YouTube, and TikTok are viral sensations: stories filled with humor, wisdom, and a celebration of our commonalities. Neal talks about how he brings his stories to life and how he’s able to see what others miss, and reveals that it started by telling stories to his daughter; how one can choose to not remember the horrible stories; the universality of our experiences; how much hard work goes into making something look easy; the secret to the pocket square and the mystery of the black void; improbably named high school theatre directors; and the romantic benefits of playwriting. WARNING: Be careful offering to buy him coffee; Neal just might take you up on it. (Length 19:58)

Podcast: Download (Duration: 19:58 — 22.9MB)

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By austin, ago

Lenny Bruce Lives

Actor and writer Ronnie Marmo (above) talks about his one-man show I’m Not a Comedian…I’m Lenny Bruce (directed by Joe Mantegna), which he’s toured all over the country for over 400 performances. A longtime actor (Criminal Minds, General Hospital), Ronnie reveals how he first fell in love with the so-called “foul-mouthed” comic who never actually cursed all that much; how he was first arrested in Chicago; how Lenny threatened the status quo and “obscenity” was just an excuse to arrest him; what it’s like when the audience is your scene partner; his showbiz origin story; and ultimately, the importance of always being in a play, whether they’re paying you or not. (Length 20:51)

Podcast: Download (Duration: 20:51 — 24.0MB)

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By austin, ago

Beethoven’s Killer B’s

Jeff Yang, a classically-trained crossover musician and artistic director of In the Realm of Senses, discusses his production of Beethoven and the Killer B’s, which due to popular demand is having several encore performances at Chicago’s Epiphany Center for the Arts. Jeff, joined by board member Cassandra Rose, shares the difficulty of articulating the nature of this extraordinary multi-media project, which is part concert, part tribute to John Belushi, part spoken-word biography, and part art installation featuring projections and scent sculptures. Revelations include the challenge of finding the right tonal balance; the desire to find a better description than “Smell-O-Rama!”; the journey towards executing one man’s sensory vision; and the difficulty of talking about integrative art that’s never been done before! (Length 23:44)

Podcast: Download (Duration: 23:44 — 27.3MB)

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By austin, ago

On Being Unreasonable

Dr. Kirsty Sedgman’s new book, On Being Unreasonable: Breaking the Rules and Making Things Better, examines our age of division and how we can be unreasonable for the right reasons. Born of a lifetime of studying theatre as a window into larger social questions, Sedgman argues that audience behavior is the canary in the coal mine of greater societal concerns, and the subject of her first book, The Reasonable Audience: Theatre Etiquette, Behavior Policing, and the Live Performance Experience. Sedgman discusses how despite our wishful thinking, we’re not in a post-pandemic landscape; the rise of the relaxed performance movement; the vital importance of carefully navigating sometimes competing truths and wrestling with the complexities of our divided age; and the value of getting into what Congressman John Lewis called “good trouble.” (Length 19:03)

Podcast: Download (Duration: 19:03 — 21.9MB)

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By austin, ago

Something More Wonderful

Jeffrey Sweet, the author of Something Wonderful Right Away, returns to the podcast to discuss the brand-new second edition of this granddaddy of all improv books. Jeff shares how his book had an impact over and above what he ever imagined; how the second edition features new interviews with Keegan-Michael Key and the founding mother of improv Viola Spolin; how improvisation shares so much with games; his many inspirations (including TJ and Dave and Lanford Wilson); and the similarities between improvisation and playwriting. (Length 18:35)

Podcast: Download (Duration: 18:35 — 21.4MB)

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By austin, ago

More Bard’s Rest

Novelist Jessica Martin returns to her fictional town of Bard’s Rest, NH, for her second Shakespearean romcom, The Dane of my Existence. Her first book, For The Love of the Bard, focused on the character of Miranda Barnes, but the new book focuses on Miranda’s sister Portia, a high-powered lawyer who’s about to land the role of her dreams: becoming the youngest managing partner in her law firm’s history. But during her summer sabbatical at her family’s annual Shakespeare festival in Bard’s Rest, she encounters hunky hotshot developer Benjamin Dane, and hilarity, romance, and legal hijinks ensue. Jessica talks about how a single book has become a series; the importance of puppies in romantic fiction; how to construct a compelling romance while adding a soupçon of John Grisham; the difference between enemies and rivals; how fully fleshed-out all the supporting characters are, and which ones may get their own books; unintentional echoes of Taming of the Shrew; adjusting the amount of steam and the danger of writing non-gross sex scenes; and the important lesson of making room next to the work you love for the people you love. (Length 19:21)

Podcast: Download (Duration: 19:21 — 22.2MB)

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By austin, ago

Who Wrote Shakespeare?

Don’t know your Bacons from your Marlowes, your deVeres from your Rutlands? Fear not. We addressed the so-called “Authorship Question” in our 2006 book, Reduced Shakespeare: The Complete Guide for the Attention-Impaired (abridged), outlining all the major candidates and computing the odds that someone other than Shakespeare actually wrote his keen plays and nifty sonnets. The answer may surprise you! This episode features the entire text of Chapter Five, “Who Wrote This Stuff?”, and offers iconoclasm and mischief-making, scandalous scholarship, wild supposition, equally unlikely possibilities, and a little thing we like to call “logic.” (Length 29:34)

Podcast: Download (Duration: 29:34 — 33.9MB)

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By austin, ago

Asian American Renegades

Matthew C. Yee (above) wrote the book and score for Lucy and Charlie’s Honeymoon, and plays one half of the titular couple in the Lookingglass Theatre world premiere. Joined by co-star Rammel Chan, the two actors discuss the show’s origins; how they walk its tricky tonal lines; how a script with humble college beginnings became a full-fledged country western musical; the ways in which the characters are both inside and outside the law; the challenge of being not just the author and composer, but also an actor and musician; wonderful and unintended similarities to Harpo Marx; and the lasting questions of why there aren’t more country western musicals? (Length 19:58)

Podcast: Download (Duration: 19:58 — 22.9MB)

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By austin, ago

Dee Ryan’s ‘Broadguess’

Actor, improviser, and playwright Dee Ryan has written Broadguess, her one-person comedy in which a hard-boiled Elsinore detective gets too close to some mysterious deaths amongst the Danish royal family and gets transferred to…Verona. As Detective Broadguess discovers murders most foul in Italy and Scotland, she uncovers the sick mind responsible and investigates what kind of man creates this level of carnage. Ryan, a Jeff nominated Second City alum, talks about the origins of the piece; how it was inspired by her Shakespeare book club; its debut as part of Flatwater Shakespeare Company’s “UnShaken Festival;” how she’s recreating Shakespeare’s connection to a broad (!) audience; her gratitude to Jeff Award-winning director Barb Wallace; and how her very funny comedy is a dee-construction of both Shakespeare’s canon and Shakespeare the Man. (Length 20:04)

Podcast: Download (Duration: 20:04 — 23.1MB)

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By austin, ago

Will’s Gender Play

The About Face Theatre world premiere production of Gender Play, or what you Will is a tour-de-force for its co-creator and star Will Wilhelm, who transforms their own story as a nonbinary actor into a funny and powerful evening that’s part seance and part dance party. Will shares their journey of discovery and how this play began as a thrown gauntlet; how Shakespeare’s plays are fundamentally queer, and how Will found themself in them; the difficulty of parsing gender identity, gender performance, and cross-dressing; the importance of creating easy on-ramps to appreciating Shakespeare; and how Gender Play will continue to be a gift to future queer performers who can make it their own. (Length 25:20)

Podcast: Download (Duration: 25:20 — 29.1MB)

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By austin, ago

Writers Guild Strike

David A. Goodman, the former president of the Writers Guild of America currently leading the negotiations and strike against the Alliance of Motion Picture and Television Producers (AMPTP), takes a break from the picket lines to explain why this existential fight is so important. David reveals what’s at stake, avoids heroic hyperbole; declines to craft narratives; confides who has the real power in Hollywood; explains the gutting of the American middle-class; possesses an admirable reluctance to participate in childish banter; and expresses gratitude for the extraordinary support the WGA is getting from its sister Hollywood unions. (Length 20:18)

Podcast: Download (Duration: 20:19 — 23.3MB)

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By austin, ago

Bringing Back Comedy

The original cast (pictured, left to right: Reed Martin, Dominic Conti, and Austin Tichenor) returns to The Complete History of Comedy (abridged) for performances this April and July of 2023 and they discuss how both the show and their performances have changed; how different people can get away with different jokes; the value of bashing away at the material; the audacity of comparing ourselves to Shakespeare; how it’s our most autobiographical show; what it’s like to act with other companies like Chicago’s Goodman Theatre and San Francisco’s American Conservatory Theatre; fixing certain punchlines; and a special appearance from Grammy Award-winning comedian “Weird Al” Yankovic! (Length 18:49)

Podcast: Download (Duration: 18:49 — 21.6MB)

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By austin, ago

Shakespeare’s ‘Star Wars’

Author Ian Doescher wrote William Shakespeare’s Star Wars: Verily, a New Hope and others in the Quirk Books Pop Shakespeare series (The Taming of the Clueless, Much Ado About Mean Girls, Get Thee Back to the Future), which imagine popular movies adapted into plays as they might have been written by William Shakespeare. Ian discusses his Jane Austen/zombie inspiration; how his bar idea transformed into an actual best-selling series; figuring out how Yoda speaks in Elizabethan English; his personal connection to Shakespeare; how film action translates to the stage; the delight of inserting deep cut Easter eggs into the narrative; and the huge fun of embracing limitations and visualizing theatricality. (Length 20:54) (Skywalker Hamlet image by Nicolas Delort.)

Podcast: Download (Duration: 20:54 — 24.0MB)

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By austin, ago

Charlotte Brontë’s ‘Villette’

Playwright Sara Gmitter (In the Garden: A Darwinian Love Story) returns to Chicago’s Tony-winning Lookingglass Theatre for the world premiere of her adaptation of Charlotte Brontë’s novel Villette – and returns to the Podcast to discuss how the production came to be and why the novel isn’t as famous as Brontë’s other work, Jane Eyre. Sara talks about the challenge of channeling Brontë’s voice (in both language and staging); who to credit (or blame) for this adaptation; the joy of working with characters that demand to be brought to life; gratitude to directors and designers who help visualize the story; how the relationship between the protagonist and audience mirrors the one between an author and reader; the undeniable fact that Charlotte Brontë is funny; and the unassailable right of an unreliable narrator to keep some things to herself. (Length 20:35) (PICTURED: Debo Balogun, Mi Kang, Ronald Román-Melendez in the Lookingglass Theatre production of Villette, written by Sara Gmitter, directed by Tracy Walsh. Photo by Sandro Miller.)

Podcast: Download (Duration: 20:35 — 23.6MB)

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By austin, ago

Subversive Improv Guide

David Razowsky has written A Subversive’s Guide to Improvisation: Moving Beyond “Yes, And”, a fascinating, helpful, and inspiring new book that features incredibly insightful advice and exercises improvisers (actors!) can do on their own or in groups. An alum of both the Reduced Shakespeare Company and Chicago’s famed Second City (where he worked with Steve Carell and Stephen Colbert),  Dave discusses his own journey as an artist; from his roots as a young actor to a teacher with students all over the world; his book’s unique structure; how actors must and can develop their own self-awareness; the importance of bringing one’s authentic self to every scene; the joy of creating more monsters; and the rewards of improvising with Dee Ryan. (Length 23:14)

Podcast: Download (Duration: 23:14 — 26.7MB)

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By austin, ago

Shakespeare And Fantasy

Bryan Cogman, a four-time Emmy-winning writer and co-executive producer of Game of Thrones and a consulting producer on The Lord of the Rings: The Rings of Power, discusses the rise of televised fantasy and how a grounding in Shakespeare enabled his ability to navigate fictional dynasties. Bryan shares his journey from acting at Juilliard to writing for films and television; insights about how Shakespeare begat Game of Thrones, which in turn begat The Hollow Crown; how early bafflement led to eventual success (and imitators); the challenge of failing at the business of being an actor; how the best fantasy is grounded by relationships; and how it’s a golden age for TV-watching geeks. Featuring a special appearance by the man who wrote the book about Shakespeare and Game of Thrones, Jeffrey R. Wilson. (Length 24:36)

Podcast: Download (Duration: 24:36 — 28.2MB)

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By austin, ago