Episode 343.5. July 4th Greeting

And now, for all you Americans out there, a special 4th of July greeting from our UK Producer and Production Manager Davey Naylor.
Podcast: Download (333.4KB)
And now, for all you Americans out there, a special 4th of July greeting from our UK Producer and Production Manager Davey Naylor.
Podcast: Download (333.4KB)
Award-winning playwright, author, and professor Sarah Ruhl discusses her playwriting philosophy and influences ranging from Ovid to Alice in Wonderland and beyond. Sarah shares her reluctance to categorize her plays and reveals how her theatre heart lives in the mix of comic and tragic modes; opens up about the origins of her popular version of Eurydice; discusses how she wants to put the "play" back in "playwriting;" expounds on her wonderful book, 100 Essays I Don't Have Time to Write; graciously puts up with impertinent questions; and talks about her journey from poet to playwright, her discovery that plays can be three-dimensional poems, and her strong feeling that Chicago is her artistic home. (Length 15:30)
Sarah Price stars in the Writers Theatre production of Sarah Ruhl's Eurydice (directed by Braden Abraham) and discusses the challenges of playing a character out of myth. As an actor with a background in improvisation and comedy, Sarah talks about finding a balance between modern and classical; how she finds the magic within the realistic (and vice versa); the fun of making physical choices; why being a big comedy nerd helped lead her to Chicago; the value, importance, and absolute necessity of listening; and the complete inability of acting programs to teach ‘adorable’. (Length 18:05)
Neal Foard's short videos on Instagram, YouTube, and TikTok are viral sensations: stories filled with humor, wisdom, and a celebration of our commonalities. Neal talks about how he brings his stories to life and how he's able to see what others miss, and reveals that it started by telling stories to his daughter; how one can choose to not remember the horrible stories; the universality of our experiences; how much hard work goes into making something look easy; the secret to the pocket square and the mystery of the black void; improbably named high school theatre directors; and the romantic benefits of playwriting. WARNING: Be careful offering to buy him coffee; Neal just might take you up on it. (Length 19:58)
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