”Just in time for the holidays comes this weird new classic. From Twisted Christmas Live in Santa Rosa, California, Reed Martin reads David Templeton’s dark holiday tale The Most Dangerous Christmas. Featuring an excerpt from The Reduced Shakespeare Company Christmas and rain on the rooftop! (MP3. Length 18:58)
Podcast: Download (17.4MB)
Madeline Sayet's one-woman show Where We Belong tells the story of her journey from discovering Shakespeare as a child to studying him in England and directing him (and others, and opera) around the world. Madeline is a director, educator, and writer, a member of the Mohegan Tribe in Connecticut, and she discusses her play's origins; how different audiences react to it; how Shakespeare became a part of her normal childhood fairy-tale world; the sometimes thorny challenge of adapting personal relationships to accommodate the art; an uncomfortable reminder about how history works; possible sequel titles; how everybody wants to be in the play now that it’s a success; the art – and importance – of loving a thing and still being able to criticize a thing; and how theatre can also be good medicine. Where We Belong ran at the Goodman Theatre and will play Hudson Valley Shakespeare Festival in August 2022, Seattle Repertory Theatre and New York's Public Theatre in the Fall of 2022, and Portland Center Stage and Oregon Shakespeare Festival in 2023. (PHOTO: Madeline Sayet in Where We Belong. Photo by Liz Lauren.) (Length 21:33)
(No, not that one.) This weekend is the 399th anniversary of the death of William Shakespeare’s wife Anne Hathaway, and to commemorate the occasion we talk to Dr. Katherine Scheil, author of Imagining Shakespeare’s Wife: The Afterlife of Anne Hathaway. Dr. Scheil discusses what drew her to Hathaway as a subject for study; how Hathaway is almost always portrayed in relationship to Shakespeare; what to make of the “second best bed” she received in Shakespeare’s will; the wonderful democratization and liberating opportunities of biofiction; how sex is frequently the default source of Shakespeare’s “inspiration;” a discussion of the relative merits of the films Shakespeare In Love and All Is True, the TV series Upstart Crow, and the novel Hamnet; and ultimately, how biofiction can be a more insightful way of understanding historical figures, and even how sitcoms can reveal greater story and character nuance than drama. (Length 25:59)
Children’s book author (Great Estimations, The Beastly Feast) Bruce Goldstone discusses his new book Zero Zebras: A Counting Book About What’s Not There, an adorable way of introducing the idea of nothing (and everything!) to a young audience...and maybe even you. Bruce explains how zero’s possibly the most powerful number, and shares inspirational childhood delight from Hughes Mearns’ “I met a man who wasn’t there;” how divisions and categorization are our enemy; a previous collaboration with the world’s most famous (and surprisingly talkative) mime; his fondness for the absurd; the theatrical nature of children’s picture books; mixing classics with vaudeville; how he's introducing children to the concept of seeing and imagining things that aren’t there; and how – as in jazz – it’s all about the zebras you don’t count. (Length 19:22)
4 Comments
Hailey B. · December 25, 2010 at 2:58 pm
Can’t wait for next year’s twisted christmas story!!!!!
austin · December 22, 2010 at 5:25 pm
(PS – Here’s what she said before her spoilers: “I had a fit of giggles while listening to this podcast!”)
austin · December 22, 2010 at 4:49 pm
Emily, I’m not going to Approve your (highly complimentary) comment, but only because you give away two major plot points! Glad you liked it, though.
Emily · December 22, 2010 at 4:31 pm
I had a fit of giggles while listening to this podcast!
“Everyone understands the rules? After the creature has been allowed a three minute head start…there are NO MORE RULES.”
“Santa Claus, gazing directly into the crosshairs of the Baron’s rifle sight, calmly removed his large red hat, smiled knowingly, and pointed a finger…at the Sasquatch.”