Comparing Twelfth Nights

To celebrate Twelfth Night, we compare different productions of Shakespeare’s great comedy with Dee Ryan, adjunct professor at Northwestern University and president of the North Shore Shakespeare Society, and actress Elizabeth Dennehy, who recently directed Twelfth Night at the Los Angeles County School for the Arts. Featuring shout-outs to productions at Cincinnati Shakespeare Company; the Stratford Festival (with music by Michael Roth & Des MacAnuff), the South Australian State Theatre with Geoffrey Rush, Chicago’s Writer’s Theatre, and the Amanda Bynes film She’s The Man; how Twelfth Night got its title (and subtitle); how and when to make sure scene transitions flow as well as the play itself; the virtue of outright theft; how the play is NOT the tragedy of Malvolio; inspiration from the musical Once; Lear-like Orsinos; cleansing rains; shout-outs to Oregon Shakespeare Festival’s Oklahoma! and San Diego Repertory Theatre’s The Humans; valentine reviews; pairing Antonio and Aguecheek; the benefits of isolating your Olivia; shout-outs to Caitlin McWethy and Abby Lee (pictured above); the food chain of status-climbing; and, as ever, the promise of getting it better…next time. (Length 27:50) (Pictured: Abby Lee as Olivia, Caitlin McWethy as Viola, and cast of the Cincinnati Shakespeare Company production of Twelfth Night, directed by Austin Tichenor. Photos by Mikki Schaffner Photography.)

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