”In honor of the repeal of “Don’t Ask Don’t Tell”: Rare archival footage of Reed Martin, Dee Ryan, and Austin Tichenor singing ‘Gay!’ from the RSC’s original 1998 production of The Complete Millennium Musical (abridged) at the Pittsburgh Public Theatre. (Special thanks to Twitter follower @khedwar for the idea!) (m4v. Length 3:26)
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In a delightfully macabre bit of counter-programming, Northlight Theatre is producing the classic Dial M For Murder, which has already been extended into 2024 and whose director Georgette Verdin talks about why it's the perfect kind of play for the holiday season. Georgette reveals the fantastic run of mystery-thrillers she's been on; the opportunity and payoff of leaning into genre programming; the fundamental need for catharsis; how the theatre industry struggles to market new work and reach new audiences (and sometimes succeeds); and the powerful beauty of finding light in the darkness. (Length 17:47)
Larry Yando (left, above) discusses playing the role of Ebenezer Scrooge in the Goodman Theatre production of A Christmas Carol with his "Alternate Scrooge," the Reduced Shakespeare Company's own Austin Tichenor. The two actors talk about the challenge of being haunted by the Ghost of Productions Past; how Dickens’s story continues to percolate in the off-season; how they navigate script changes, especially the little annoying ones; how Scrooge compares to some of the other great roles Yando’s played (such as Scar in The Lion King, Prospero, Roy Cohn in Angels in America); how seeing another actor play “your” role can sometimes act like “an undigested bit of beef;” why the story stays relevant year after year; the value of staying on your toes; how and why Scrooge chooses Marley over Belle; and how if A Christmas Carol ended 20 minutes earlier, it’d be King Lear. (Length 21:48)
Ben Crystal and David Crystal – authors of multiple works, including Shakespeare's Words and The Oxford Illustrated Shakespeare Dictionary – discuss their new book Everyday Shakespeare: Lines For Life, a collection of overlooked gems plucked from the canon, organized by monthly themes, and suitable for many situations and every reader. The Crystals share how they selected each quote (and how they wanted to avoid the famous ones); how when you pan for Shakespeare gold you find more than you expect; how their unique approaches to Shakespeare reflect their approaches to life; the variety of places they plant their geek flags; the wonderful realization that the more you dig into the words, the more the author recedes; and the surprising beauty of getting hit in the heart rather than the head. (Length 26:41)
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