Category Archives: Reduced Shakespeare Company Podcast

One of the Top Ten Podcasts for Theatre Fans, according to Broadway World. And The Telegraph (UK) called it “a bright, breezy, and entertaining affair, well stocked with interviews, features, and excerpts from the shows!” when it named the RSC Podcast one of its Best Comedy Podcasts. Backstage drama. Touring trauma. Famous Guests. Infamous quests. Literary analysis. No urinalysis. All this and less – on the Reduced Shakespeare Company Podcast. Find old podcast episodes here. It’s “All Things Reduced” every Monday – and it’s free!

Episode 536. Discussing ‘Much Ado’

Austin Tichenor‘s production of Much Ado About Nothing closed its four-performance run last weekend at Pacific University in Oregon, and on opening night, department chair Ellen Margolis conducted a Q&A where they talked about conceptual and dramaturgical choices, the importance of authorial … Continue reading

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Episode 535. What’s A Play?

Last summer, while performing William Shakespeare’s Long Lost First Play (abridged) at the Edinburgh Fringe Festival, we saw all sorts of theatrical events that led us to ask, “What’s a play?” Over drinks at the pub after a performance, we discussed … Continue reading

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Episode 534. Writing About ‘Veils’

Playwright Tom Coash has written Veils, the story of a culture clash between two Muslim women — one American, one Egyptian, both college students — and how their friendship is tested by their different expressions of faith. After six professional productions, Veils … Continue reading

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Episode 533. Matt Croke’s Memoir

Old friend Matthew Croke discusses his newly-published memoir Yes, And…: A Journey of Hope Through Tragedy, which begins with the discovery that his wife Lisa’s cancer has returned while she’s pregnant with their third daughter. During this time, Matt kept a journal which became an … Continue reading

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Episode 532. Shakespeare & Trump

How should / would / will William Shakespeare respond to a character like President Trump? We talk with Shakespeare artists and administrators Kate Powers, Amy Wratchford, Mya Gosling, and Mac MacDaniel about productions they’d like to see during the next four years … Continue reading

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