Ron OJ Parson is a multiple award-winning director and Resident Artist at the 2022 Tony-winning regional theater Court Theatre in Chicago, where his production of Arsenic and Old Lace opens this Saturday night. Ron’s extraordinary range includes over 30 productions of August Wilson’s plays, musicals, classics, and world premieres, and he discusses how he approaches each script, regardless of genre; how the best direction is collaboration; bonding with Brian Dennehy and formative mentoring from Marion McClinton and Stephen McKinley Henderson; the art of not doing all that much to the play while you’re doing the harder work of just doing the play; how he’s one of the folks responsible for it being a golden age of August Wilson in Chicago (and elsewhere); and how believes in the fundamental importance of laughter, not just as entertainment but as catharsis. Can you say #RonaissanceMan? (Length 18:33) (Photo of Ron OJ Parson by Joe Mazza.)
Chicago’s Court Theatre is producing a powerful and intimate production of Shakespeare’s The Tragedy of Othello, The Moor of Venice, and they are absolutely leaning into the play’s full, proper title. Kelvin Roston Jr. (as Oedipus, left, and Othello, above) stars in the title role and discusses how he was brought in early in the process by directors Charles Newelland Gabrielle Randle-Bent, and shares fantastic insights about he approaches Shakespeare’s text; how it’s sometimes better to find physical alternatives to the text; the similarities between Shakespeare and August Wilson; how you can’t stage a vehicle without getting a good driver; the importance of specificity in language; the power of presenting an epic tragedy on a human scale; the valuable lesson that it’s not what or how the classics speak to us, but how and what we say to the classics; and a determination to make the phrase #TheatreInTheSurround happen. Now playing – and streaming! – until December 5, 2021; visit courttheatre.org for more information. (Length 20:34)
August Wilson’s Ma Rainey’s Black Bottom is getting an amazing production right now at the Writers Theatre in Chicago , directed by Ron OJ Parson and starring Tony-nominee Felicia P. Fields in the title role, and the four outstanding actors who play her musicians — David Alan Anderson as Toledo, Kelvin Roston, Jr. as Levee, A.C. Smith as Slow Drag, and Alfred H. Wilson as Cutler (pictured above, left to right) — sat down for a roundtable discussion about the roles they play; the extraordinary bond they’ve forged; comparisons to Shakespeare; dialogue as music and words turned into poetry; the familiarity of the characters; shout-outs to King Oliver and Buddy Bolden; strong communities; August Wilson’s incredible legacy, the shape of his ten-play Pittsburgh Cycle, and his ability to turn innate speech into poetry and familiar characters into titans. A one an’ a two…y’all know what to do… (Length 22:01) Photos by Michael Brosilow. Courtesy of Writers Theatre.
”Max Woodward, the Vice-President for Theatre Programming at the Kennedy Center in Washington DC, talks about how he programs and fills this fantastic venue. Featuring the dedication to un-reduced productions, the luxury of resources, the privilege of both presenting and producing, the glory of programming festivals honoring such artists as Read more…