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Dhaba On Devon

Playwright and screenwriter Madhuri Shekar returns to talk about Dhaba on Devon Avenue, now having its much-delayed world premiere at Chicago's Writers Theatre in a co-production with Timeline Theatre. Shekar reveals the comic book origin stories of both herself and the play; the happy accident of writing a family play that resonates with older audiences; how Shakespeare and Bollywood have much in common; how superhero films have taught us important history our schools have missed; embracing the unintentional gift of time; and the Proustian power of a saag grilled cheese sandwich. (Length 20:32) (PICTURED: Anish Jethmalani and Tina Munoz Pandya in the Writers Theatre/Timeline Theatre co-production of Dhaba on Devon Avenue by Madhuri Shekar, directed by Chay Yew. Photo by Michael Brosilow.)

Shakespeare Goes ‘Beyond’

'Tis the season for Shakespeare in the park(s)! Ian Gallanar, the founding artistic director of Chesapeake Shakespeare Company in Baltimore, discusses CSC's touring program Shakespeare Beyond, which is taking Ian’s highly localized but still mostly Shakespeare adaptation It’s the Comedy of Errors, Hon to parks and outdoor venues all over Maryland. Gallanar reveals how Shakespeare Beyond combines the best of Shakespeare, vaudeville, and circus; the beauty and versatility of the Shakespeare Wagon; the art of deploying local slang and specific Maryland references; having to deal with the withdrawal of already-earmarked NEA funds; shout-outs to the Atlanta Shakespeare Tavern; and the importance of blurring the false distinction between "Shakespeare" and "entertainment." (Length 20:42)

Improv Is Magic

Actor, improviser, and founding member of Upright Citizens Brigade Matt Walsh (Veep, Manhunt) is touring this summer with Bluebird Improv and returns to the RSC Podcast to discuss how improv differs from acting (and sometimes doesn't). Matt reveals how improv is less about creation and more about discovery; the importance of and method for learning the value of patience; how he combined both acting and improv on Veep; why scripted punchlines are sometimes not as funny as improvised punchlines; the challenge of playing a racist monster in Manhunt; and (to unintentionally paraphrase Austin Powers) the importance of remembering that when onstage, just behave. (Length 27:46)