A Bonus episode! For all who celebrate – the only thing you’ll ever have to say. From The Ultimate Christmas Show (abridged).
Podcast: Download (Duration: 0:57 — 1.1MB)
Playwrights and RSC artistic directors Reed Martin and Austin Tichenor discuss the updates they've been making to all their scripts (including All the Great Books (abridged), featuring Doug Harvey, Tré Zijuan Tyler, and Michael Faulkner, below) and how their writing process begins with coming up with material that's personal resonant. Martin and Tichenor reveal the despair of artists listening to the mortgage when evaluating their work; how not all laughs are created equal; how the great job of making people laugh now feels like an supremely important job; and how hearing the audience gasp at the turns in the narrative is even more satisfying to us. (Length 24:21)
409 years ago today, on April 22, 1616, William Shakespeare himself spoke to Tony Dean, the creator and host of the Calling History Podcast, which features conversations with history's most influential and interesting people. Tony explains how the podcast got started, how he finds his guests (including Austin Tichenor as Shakespeare), how Ralph Waldo Emerson remains the podcast's great white whale, and how the Calling History Podcast is filled with unbelievable but absolutely true stories. HEAR HERE! (You can listen to part one of Tony's conversation with Shakespeare here and part two here.) Length 19:50.
Do you not "get" Shakespeare? Well, you're not alone! Improviser and "ensemble whisperer" Liz Allen returns to the podcast to explore the reasons she's never really connected with Shakespeare's plays. Allen famously coached the fictional improv team in Mike Birbiglia's film Don't Think Twice but fears missing out on both cultural and satirical opportunities, and discusses with host Austin Tichenor the ways in which she (and many others) have missed the Shakespeare boat; how to describe the appeal of Shakespeare in five words; the value of “Tools, Not Rules;” drawing inspiration from Darren Freebury-Jones’s Shakespeare’s Borrowed Feathers; how being haughty at dinner parties is the real goal; and the very real relationship between Shakespeare and improvisation. (Length 31:14)