Since its pass-the-hat origins in 1981, the Reduced Shakespeare Company has created ten world-renowned stage shows, two television specials, several failed TV pilots, and numerous radio pieces, all of which have been performed, seen, and heard the world over. The company’s itinerary has included stops off-Broadway, at the White House, the Kennedy Center, Lincoln Center, London’s West End, Seattle Repertory Theatre, American Repertory Theatre and Montreal’s famed Just For Laughs Festival, as well as performances in Israel, Australia, New Zealand, Hong Kong, Japan, Malta, Singapore and Bermuda, plus countless civic and university venues throughout the USA, the UK, and Europe.
In 2016, in honor of the company’s 35th anniversary and the 400th anniversary of Shakespeare’s death, the RSC premieres its tenth stage show, William Shakespeare’s Long Lost First Play (abridged), at the Folger Shakespeare Theatre in Washington DC. In 2013 the “Bad Boys of Abridgment” unveiled The Complete History of Comedy (abridged) –to critical and commercial acclaim at both Cincinnati Playhouse in the Park and Merrimack Repertory Theatre, as well as on national tours of the the USA and UK. The Complete World of Sports (abridged)opened in 2010 at Merrimack Rep and after touring the USA and UK, ran at the Arts Theatre in London during the 2012 London Olympics. In 2011 came the world premiere of The Ultimate Christmas Show (abridged)which became Merrimack Repertory Theatre’s best-selling holiday show ever, and the third-best-selling show in MRT’s history and also enjoyed a successful run at San Diego Repertory Theatre as well as multiple tours across the USA.
Peter Marks, theatre critic of the Washington Post and co-host of American Theatre magazine’s Three on the Aisle Podcast, famously loathes the song “Shipoopi” in Meredith Willson’s The Music Man and this week we try to convince him just how wrong he is. Featuring strong emotional reactions; unworthy yet sophisticated analysis; unprovoked disdain of garden gnomes; pilgrimages to Mason City, Iowa; reverse snobbery; comparing Act Two openings; anthropomorphizing a month; ideal Harold Hill casting (the less said about Matthew Broderick, the better); and ultimately a celebration of one the American musical theatre’s greatest (give or take a song or two) shows. WARNING: No minds were changed in the recording of this podcast. (Length 20:13) (Pictured: Jonathan Butler-Duplessis as Marcellus Washburn in the Goodman Theatre production of Meredith Willson’s The Music Man, directed by Mary Zimmerman. Photo by Liz Lauren.)
Charlie Christmas’s new album, Weird Old Man, is your perfect summertime jam! A veteran of many bands over the years (from Urge Overkill to The Mobile Homeboys), “Charlie Christmas” is the nom du rock of music journalist Chuck Chrisafulli, who, amongst his many other credits, created some musical cues for our original production of All The Great Books (abridged). Chuck and Charlie discuss how journalism informs the music, where this particular blend of garage rock was actually recorded, important musical debuts, the constant need for good bassists, unfortunate reviews from service pigs, tales of Billy Idol, creating a fair but critical ear, and outstanding inspirations ranging from Pink Floyd and T-Rex to Brian Wilson and Curtis Mayfield (plus some Ramones & Frank Zappa). Buy Weird Old Man here! (Length 20:13)
To paraphrase Ken Burns, the story of Vaudeville is the story of America. And as we head into the 4th of July holiday weekend, it’s the perfect time to talk with performer and author Trav S.D. about his fun and highly readable book No Applause, Just Throw Money: The Book That Made Vaudeville Famous. Trav talks about how his early love of TV variety shows led to his lifelong interest and discusses how conservatory training leads to working for the Big Apple Circus; how vaudeville resembles English music hall; narrow platforms and the benefits of only having three channels; shout-outs to both Stephen Holden of the New York Times and Chuckles the Clown; the appeal of a funhouse mausoleum as a final resting place; and a warning about terrible parents who don’t introduce their children to classic comedians and performers. (Length 18:35)
William Shakespeare’s Long Lost First Play (abridged), written by Reed Martin and Austin Tichenor, has now been published in both the United States by Broadway Play Publishing and Great Britain by Josef Weinberger and is available for licensing worldwide. Read about its creation and “discovery” on the Shakespeare & BeyondContinue reading
The Reduced Shakespeare Company just unveiled a new promotional video for its annual holiday hit The Ultimate Christmas Show (abridged). Produced and edited by Tim Neighbors of Invisible Harness, the short video was shot December 22, 2017 at the La Mirada Center for the Arts in southern California and features performers Michael Faulkner, Reed Martin, and Dan Saski. Watch below — it’ll make your spirits bright!
On September 24, 2017, the Shakespeare Birthplace Trust in Stratford-upon-Avon hosted illustrator Jennie Maizels and co-author Austin Tichenor at a special event celebrating the publication of their new book Pop-Up Shakespeare. Jennie created wonderful props and costumes for Austin to wear while reading excerpts, and for kids in the audience toContinue reading