Since its pass-the-hat origins in 1981, the Reduced Shakespeare Company has created ten world-renowned stage shows, two television specials, several failed TV pilots, and numerous radio pieces, all of which have been performed, seen, and heard the world over. The company’s itinerary has included stops off-Broadway, at the White House, the Kennedy Center, Lincoln Center, London’s West End, Seattle Repertory Theatre, American Repertory Theatre and Montreal’s famed Just For Laughs Festival, as well as performances in Israel, Australia, New Zealand, Hong Kong, Japan, Malta, Singapore and Bermuda, plus countless civic and university venues throughout the USA, the UK, and Europe.
In 2016, in honor of the company’s 35th anniversary and the 400th anniversary of Shakespeare’s death, the RSC premieres its tenth stage show, William Shakespeare’s Long Lost First Play (abridged), at the Folger Shakespeare Theatre in Washington DC. In 2013 the “Bad Boys of Abridgment” unveiled The Complete History of Comedy (abridged) –to critical and commercial acclaim at both Cincinnati Playhouse in the Park and Merrimack Repertory Theatre, as well as on national tours of the the USA and UK. The Complete World of Sports (abridged)opened in 2010 at Merrimack Rep and after touring the USA and UK, ran at the Arts Theatre in London during the 2012 London Olympics. In 2011 came the world premiere of The Ultimate Christmas Show (abridged)which became Merrimack Repertory Theatre’s best-selling holiday show ever, and the third-best-selling show in MRT’s history and also enjoyed a successful run at San Diego Repertory Theatre as well as multiple tours across the USA.
New York Times best-selling author Jasper Fforde returns to talk about his new novel Early Riser, a comic thriller set in a world very much like ours — except here, humans hibernate. What happens during the cruel winter months is the subject of this gripping and funny book, and Jasper reveals much about the process of creating it, his ongoing fascination with all things Welsh, how he accepts narrative dares and creates Ffordian Middle Earths, why and when he has to spread textual jam, his ongoing effort to make ‘scribernation’ happen, the promise of sequels, and how creativity is both the angel and the devil sitting on a writer’s shoulders. Also featuring Jasper’s unsolicited (and totally delightful) praise for the Reduced Shakespeare Radio Show (available on Audible and iTunes)! Calling all editorial sherpas! (Length 25:25)
August Wilson’s Ma Rainey’s Black Bottom is getting an amazing production right now at the Writers Theatre in Chicago [sic], directed by Ron OJ Parson and starring Tony-nominee Felicia P. Fields in the title role, and the four outstanding actors who play her musicians — David Alan Anderson as Toledo, Kelvin Roston, Jr. as Levee, A.C. Smith as Slow Drag, and Alfred H. Wilson as Cutler (pictured above, left to right) — sat down for a roundtable discussion about the roles they play; the extraordinary bond they’ve forged; comparisons to Shakespeare; dialogue as music and words turned into poetry; the familiarity of the characters; shout-outs to King Oliver and Buddy Bolden; strong communities; August Wilson’s incredible legacy, the shape of his ten-play Pittsburgh Cycle, and his ability to turn innate speech into poetry and familiar characters into titans. A one an’ a two…y’all know what to do… (Length 22:01) Photos by Michael Brosilow. Courtesy of Writers Theatre.
The recent death of legendary Hollywood director Stanley Donen — the so-called “king of the Hollywood musical,” responsible for such classics as Singin’ in the Rain, On The Town, Funny Face, Royal Wedding, Charade, and Seven Brides for Seven Brothers — prompts this long overdue reminiscence from our own Reed Martin who in 2006 got to hang out with Mr. Donen while working on a new play at the Magic Theatre in San Francisco written and directed by the great Elaine May who, until his death, was Stanley’s partner. Reed tells stories about not only Mr. Donen and Ms. May but remembers the phalanx of bold-faced names who were involved with this production (pictured surrounding Reed, clockwise): Daveed Diggs, Phil Donahue, Marlo Thomas, and Mark Rydell. Featuring the graciousness of the rich and famous; secrets of filming the famous dancing on a ceiling sequence with Fred Astaire; a fantastic story about John Wayne; and the truth of the old saying: you don’t always remember what people say but you always remember how they make you feel. (Length 19:57)
William Shakespeare’s Long Lost First Play (abridged), written by Reed Martin and Austin Tichenor, has now been published in both the United States by Broadway Play Publishing and Great Britain by Josef Weinberger and is available for licensing worldwide. Read about its creation and “discovery” on the Shakespeare & BeyondContinue reading
The Reduced Shakespeare Company just unveiled a new promotional video for its annual holiday hit The Ultimate Christmas Show (abridged). Produced and edited by Tim Neighbors of Invisible Harness, the short video was shot December 22, 2017 at the La Mirada Center for the Arts in southern California and features performers Michael Faulkner, Reed Martin, and Dan Saski. Watch below — it’ll make your spirits bright!
On September 24, 2017, the Shakespeare Birthplace Trust in Stratford-upon-Avon hosted illustrator Jennie Maizels and co-author Austin Tichenor at a special event celebrating the publication of their new book Pop-Up Shakespeare. Jennie created wonderful props and costumes for Austin to wear while reading excerpts, and for kids in the audience toContinue reading