To Decolonize Shakespeare

Nicolette Bethel, the co-founder of Shakespeare in Paradise, in The Bahamas, talk about the process of decolonizing Shakespeare in parts of the world where Shakespeare’s been weaponized as a tool of imperialism and a symbol of “superior” – meaning, white and English – culture. This second part of our conversation (part one can be found here) features discussion about the complicated symbolism of Caliban and Prospero; shifting the narrative of Shakespeare in the Caribbean; the frustration of external validation; how The Bahamas is slightly to the side of the typical Caribbean colonial experience; the number of people who actually travel to Nassau to see Bahamian theater (SPOILER ALERT: very few); how we look forward to larger international gatherings; and the trick of taking advantage of fantastic opportunities that are also huge challenges. (FOR FURTHER READING: see “Decolonizing Theater” by Annalisa Dias and Madeline Sayet. Artwork by Mya Gosling, aka GoodTickleBrain. Used by permission.) (Length 16:45)

Drawing On Shakespeare

Drawing on Shakespeare is a 16-episode webseries hosted by Austin Tichenor and the ridiculously talented Gary Andrews, where we talk about Shakespeare with witty, wonderful, and wise people while Gary draws what we’re talking about. As a possible second season/series gets closer, Gary and Austin remember how Drawing on Shakespeare began, discuss how different actors bring new meaning to a character; how every conversation leads to new insights about a play; how Puck from A Midsummer Night’s Dream can be like Keith Richards; and how audience figures are staggering into the several. (Length 17:40)

Gender-Flipping The Shrew

In 2019, the “other RSC” — in this case, the Royal Shakespeare Company — offered a gender-flipped production of Taming of the Shrew that underscored the play’s issues of hierarchy and power. Austin Tichenor and Dee Ryan saw the production as an NT Live broadcast and are joined by GoodTickleBrain’s Mya Gosling and dramaturg Kate Pitt (who saw the production live onstage in Stratford) and they discuss how the production landed in the two formats. This fascinating book club conversation touches on the play’s wonderful mutability; the comedy of straight male vanity; whether there’s a need to “fix” it; agreeing on the game of the scene; similarities to Henry and Kate in Henry V and other troublesome couples; woman-spreading and occupying space; surprising lack of sparks; transforming modern examples of masculine anger; and how (or whether) the play changes based on how (or whether) Petruchio changes. (Length 31:35)

Episode 532. Shakespeare & Trump

How should / would / will William Shakespeare respond to a character like President Trump? We talk with Shakespeare artists and administrators Kate Powers, Amy Wratchford, Mya Gosling, and Mac MacDaniel about productions they’d like to see during the next four years that can shed some light on the current administration. Featuring the value of leaning in and telling truth to power, cruel things to do to Midsummer’s Snout, finding surprising resonance in unexpected places, and most excellent suggestions of Richard III, Richard II, King Lear, Hamlet, Coriolanus, and…hang on a bit…King John?! Recorded live at the Shakespeare Theatre Association conference at Chesapeake Shakespeare Company in Baltimore, Maryland. UPDATE: New York’s Public Theatre at the Delacorte in Central Park took this to a whole ‘nother level in June 2017, with its production of Julius Caesar in which the Roman leader is costumed to look exactly like Donald Trump. (Length 15:02)