The Bard’s Book

Ann Bausum, the author of The Bard and the Book: How the First Folio Saved the Plays of William Shakespeare From Oblivion, discusses how she first discovered the story of Shakespeare’s First Folio and why she decided to share it with young readers. Bausum reveals her Shakespeare origin story; the delight of seeing different generations respond to Shakespeare’s plays; wildly inappropriate metaphors for turning kids on to history and literature; a massive shoutout to the American Players Theatre in Spring Green, Wisconsin; gratitude to playwright Lauren Gunderson and the Folger Shakespeare Library; and how children’s literature, like children’s theatre, is the best training for effective communication. (Length 18:09)

Shakespeare’s First Folio

2023 is the 400th anniversary of Shakespeare’s First Folio, and Chris Laoutaris, the author of Shakespeare’s Book: The Story Behind the First Folio and the Making of Shakespeare, discusses his fascinating and readable account of the many people and factors that went into its creation. Chris shares how he became an expert in multiple disciplines just to write the human story behind what Chris Jones of the Chicago Tribune called “one of the most crucial cultural acts in the history of Western civilization;” pushes back against the conventional wisdom that Heminges and Condell were the only ones responsible for the First Folio; whether The Winters’ Tale is somehow a tribute to Anne Shakespeare; his use of extended tree metaphors; how putting together a Folio takes a village; the many and varied historical synchronicities; how Lauren Gunderson’s The Book of Will (a fictional treatment of the same material) compares with what really happened; and how the First Folio is mostly responsible for the Shakespeare Industrial Complex we toil in today. (Length 21:40)

Episode 601. More Lauren Gunderson

Playwright Lauren Gunderson continues the conversation we began with her last November 2017, talking about her amazing play The Book of Will, a valentine about the creation of the First Folio, the first collection of all (most) of Shakespeare’s plays in 1623. WARNING: This is a slightly spoiler-y conversation (our first spoiler-free conversation can be found here) but in it Lauren reveals the process of research, dramaturgy, and creation; and also discusses the value of preparing for loss; being present; the wonder of ephemera; Shakespeare’s amazing women (both onstage and off); practicing memory as an active thing; favorite brilliant actors; and the absolute magic of double-casting. Featuring a special appearance by Oregon Shakespeare Festival Executive Director Cynthia Rider. (Length 17:23) (Pictured: Cristofer Jean in the Oregon Shakespeare Festival production of The Book of Will. Photo by Jenny Graham)

Episode 570. Book Of Will

Director Jessica Thebus (Richard III, In The Garden: A Darwinian Love Story) returns to the podcast to talk about the midwest premiere of Lauren Gunderson’s The Book of Will, which she’s directing at the Northlight Theatre in Chicago. Jessica talks about her approach to this play, and from where she draws her certainties and insights. Featuring surprisingly little historical fudging, labors of love, illuminating paths, avoiding traps, staying ahead of the audience, and celebrating the creation of a thing that might easily never have happened. (Length 17:51) (l-r, Richard Burbage (Austin Tichenor), Alice Heminges (Dana Black), John Heminges (Jim Ortlieb), and Henry Condell (Gregory Linington) from the Northlight Theatre production of Lauren Gunderson’s The Book of Will. Photo by Liz Lauren.)

Episode 567. Sir Stanley Wells

For the length and breadth of his scholarship and writing and editing and teaching, Sir Stanley Wells is our greatest living Shakespearean, and at the risk of sounding hyperbolic, might well be the greatest Shakespearean of all time. Generously granting us a brief (reduced) audience, Sir Stanley discusses the many Read more…