‘America’ In Chicago

The best of America comes to Chicago this month as Dee Ryan (The Office, Second City, the RSC’s Complete Millennium Musical (abridged)) directs a special one-hour, five-actor production of The Complete History of America (abridged) on Saturday nights at the IO Theater (plus Sunday, August 18 and Tuesday, August 20). Dee and cast member Sheri Flanders talk about the special energy fueling this production; how it’s timed to coincide with the Democratic National Convention; the exciting Edinburgh Fringe-like vibe of IO; how they’re keeping the bronzers locked up; the power of ensemble-driven theatre; and how Second City veteran Dee wants to bring an improvisational energy to scripted comedy.(Length 17:44)

Writing ‘Tragedy Averted’

Washington Post humor columnist Alexandra Petri discusses her Shakespearean summer camp comedy Tragedy Averted, now having its midwest premiere at the IO Theatre in Chicago. Tragedy Averted showcases four Shakespeare heroines – Juliet, Cordelia, Desdemona, and Ophelia – who bond at summer camp while struggling with romance, friendship and difficult dads. In conversation with the production’s director Dee Ryan, Alexandra shares the origins of her humor; the depth of her nerdery; inspirational messages from W.H. Auden and T.H. White; the comfort of knowing she always wanted to be a writer; spoileriffic exegesis; her firm belief that any crisis can be addressed head-on, Hamlet-like, by writing a play about it; and how fan fiction means you love the source text but have a significant bone to pick with it. (Length 19:14)

Flatwater Shakespeare’s ‘Unshaken’

Flatwater Shakespeare Company is hosting its first (and hopefully annual) “Unshaken Festival,” five solo pieces that engage with Shakespeare comically, poignantly, and powerfully (including Dee Ryan’s Broadguess, featuring actor Fred Vogel). Summer Lukasiewicz is Flatwater’s outgoing executive artistic director, and she shares how these new pieces were selected; how the festival came to be, and how it’s a reaction to the pandemic; the importance of getting changes to the tech crew; the differences between working with living playwrights (as opposed to dead ones), including why the royalty line-item suddenly has numbers in it bigger than zero; whether (and how) the “Unhaken Festival” will continue; and why seeing Shakespeare through difference lenses and from different perspectives is one reason why Shakespeare continues to live. (Length 20:25)

Comparing Twelfth Nights

To celebrate Twelfth Night, we compare different productions of Shakespeare’s great comedy with Dee Ryan, adjunct professor at Northwestern University and president of the North Shore Shakespeare Society, and actress Elizabeth Dennehy, who recently directed Twelfth Night at the Los Angeles County School for the Arts. Featuring shout-outs to productions at Cincinnati Shakespeare Company; the Stratford Festival (with music by Michael Roth & Des MacAnuff), the South Australian State Theatre with Geoffrey Rush, Chicago’s Writer’s Theatre, and the Amanda Bynes film She’s The Man; how Twelfth Night got its title (and subtitle); how and when to make sure scene transitions flow as well as the play itself; the virtue of outright theft; how the play is NOT the tragedy of Malvolio; inspiration from the musical Once; Lear-like Orsinos; cleansing rains; shout-outs to Oregon Shakespeare Festival’s Oklahoma! and San Diego Repertory Theatre’s The Humans; valentine reviews; pairing Antonio and Aguecheek; the benefits of isolating your Olivia; shout-outs to Caitlin McWethy and Abby Lee (pictured above); the food chain of status-climbing; and, as ever, the promise of getting it better…next time. (Length 27:50) (Pictured: Abby Lee as Olivia, Caitlin McWethy as Viola, and cast of the Cincinnati Shakespeare Company production of Twelfth Night, directed by Austin Tichenor. Photos by Mikki Schaffner Photography.)

Episode 610. ‘Western Civ’ Lives!

Barnstormers Theatre in New Hampshire is producing our rarely-seen show Western Civilization: The Complete Musical (abridged), which we created in 1998 under its original title The Complete Millennium Musical (abridged). Director Blair Hundertmark and cast members (l to r) Jordan Ahnquist, Cheryl Mullings, and Rachel Alexa Norman discuss learning and updating the script and the songs, getting comfortable with audience participation, the freedom to go with the flow, lyrics that make your eyes spin, encouraging seriousness and the prospect of journaling, finding a through-line, sad topicality, getting the audience on your side, sexy inquisitors, unsung heroes, and timeless inspiration from Yogi Berra. Featuring excerpts from the original cast recording, which is available from iTunes! (Length 25:04)

Episode 33. Modern Slim Pickens

Character actor/comedian David Koechner (Anchorman, Thank You For Smoking, Snakes on a Plane) tells tales of typecasting and creating comic characters, and deconstructs his short-lived Comedy Central TV show, The Naked Trucker & T-Bones Show. Featuring a special appearance by Gerald ‘T-Bones’ Tibbons (left). Boop! (MP3. Length 26:20)