This week we continue our conversation with Robert Falls, the Tony-winning artistic director of the Goodman Theatre in Chicago. In addition to being well-known for directing classics like Arthur Miller’s Death of a Salesman and Eugene O’Neill’s The Iceman Cometh and Long Day’s Journey Into Night, Bob has worked on such possibly surprising material as the Elton John and Tim Rice musical Aida, and that’s where we pick up our conversation. Featuring the joy of working with actors; collaborating with Elton John, Tim Rice, and David Henry Hwang; tales of working on John Logan’s Red, and Shakespeare’s Winter’s Tale and Measure for Measure; why and how we’re drawn to certain plays or genres; false distinctions; some terrible phrasing and important corrections; why, for all the comedies Bob directs, he may be more of a tragedian; and the dual pleasures of tearing plays apart — and an audience’s heart out. (Length 18:54) HEAR PART ONE OF OUR CONVERSATION HERE! (Pictured: (l-r) Disney Theatrical’s Thomas Schumacher, Elton John, and Robert Falls in rehearsal for Aida, 2000.)
Robert Falls is the Tony-winning artistic director of the Goodman Theatre in Chicago, and after talking with several actors from his productions of Death of a Salesman (left), The Iceman Cometh, The Winter’s Tale, and Enemy of the People, we finally get to talk to the man himself. Bob discusses how he approaches his work, and how ultimately passion decides everything, but along the way gives shout-outs to Mark Larson and his invaluable book Ensemble; talks about how he finds his way into the work; shares guest appearances by Winston Churchill; reveals one or two trials by fire; enthuses about amazing introductions to Shakespeare; and tells a great story about working with Vanessa Redgrave (though probably not the story you’re thinking of). (Length 24:55) HEAR PART TWO OF OUR CONVERSATION HERE!