The Bard’s Book

Ann Bausum, the author of The Bard and the Book: How the First Folio Saved the Plays of William Shakespeare From Oblivion, discusses how she first discovered the story of Shakespeare’s First Folio and why she decided to share it with young readers. Bausum reveals her Shakespeare origin story; the delight of seeing different generations respond to Shakespeare’s plays; wildly inappropriate metaphors for turning kids on to history and literature; a massive shoutout to the American Players Theatre in Spring Green, Wisconsin; gratitude to playwright Lauren Gunderson and the Folger Shakespeare Library; and how children’s literature, like children’s theatre, is the best training for effective communication. (Length 18:09)

Shakespeare’s First Folio

2023 is the 400th anniversary of Shakespeare’s First Folio, and Chris Laoutaris, the author of Shakespeare’s Book: The Story Behind the First Folio and the Making of Shakespeare, discusses his fascinating and readable account of the many people and factors that went into its creation. Chris shares how he became an expert in multiple disciplines just to write the human story behind what Chris Jones of the Chicago Tribune called “one of the most crucial cultural acts in the history of Western civilization;” pushes back against the conventional wisdom that Heminges and Condell were the only ones responsible for the First Folio; whether The Winters’ Tale is somehow a tribute to Anne Shakespeare; his use of extended tree metaphors; how putting together a Folio takes a village; the many and varied historical synchronicities; how Lauren Gunderson’s The Book of Will (a fictional treatment of the same material) compares with what really happened; and how the First Folio is mostly responsible for the Shakespeare Industrial Complex we toil in today. (Length 21:40)

Episode 611. Burbage to Burbage

Kevin Kenerly is a 22-year veteran of the Oregon Shakespeare Festival and is currently playing Richard Burbage in Lauren Gunderson’s The Book of Will (after having played Burbage in Shakespeare in Love in 2017). Kevin talks with Austin Tichenor (who played Burbage in the Northlight Theatre production in 2017 and blogged about it for the Folger Shakespeare Library) about his approach to playing Shakespeare’s leading man, how he first came to Shakespeare, how the role of Burbage resembles Cyrano de Bergerac, inspirational teacher shoutouts, impressive instruments, the magic of different interpretations, a love for language, the pleasure of needing no clue, Michael Caine aphorisms, how theatre sleeps when we do, and ultimately how Shakespeare and microbrew prove to be an unbeatable combination. Featuring a special appearance from Lauren Gunderson herself! (Pictured: David Kelly as Henry Condell, Kevin Kenerly as Richard Burbage, and Jeffrey King as John Heminges. From the Oregon Shakespeare Festival production of Lauren Gunderson’s The Book of Will, directed by Christopher Liam Moore.) (Length 22:56)

Episode 583. Short Rehearsal Process

Jim Ortlieb and Gregory Linington, who played John Hemings and Henry Condell in the midwest premiere of Lauren Gunderson’s The Book of Will last fall of 2017, return to the RSC Podcast to discuss the challenges and rewards of a “reduced” rehearsal period. Over pizza and beer at Chicago’s Candelite restaurant, Jim and Gregory chat about being prepared but also staying open, similar-but-different approaches to the work, the liberating importance of “pre-hearsal”, the artistic value of pub time, the time-honored dilemma of religion vs entertainment, the subleties of defining character, the beauty of playing against the text, the gift of intimacy, and the values that constitute true “Chicago theatre.” (Pictured (left to right): Austin Tichenor, Jim Ortlieb, and Gregory Linington recording this podcast live at the Candlelite in Chicago, while Dana Black hovers.) (Length 27:32) 

Episode 573. Heminges & Condell

In her new play The Book of Will, Lauren Gunderson imagines what Shakespeare’s fellow actors John Heminges and Henry Condell had to accomplish to publish the First Folio, the first collection of Shakespeare’s plays. In the Northlight Theatre production in Chicago, actors Jim Ortlieb (a veteran of Broadway, TV, and film) and Gregory Linington (whose stage, film, and TV credits across the country include 12 seasons at the Oregon Shakespeare Festival in Ashland) play John and Henry and share insights into what it’s like to create these roles. Featuring research, textual clues, King’s Men actors defined by NBA analogies, the difference between real life and art, the anticipation of 19th century actor/managers, the trick of getting across information, and the absolute fundamental Disney-related difference between these two literary saviors. (Length 22:27) (Jim Ortlieb as John Heminges (left), Dana Black as his daughter Alice, and Gregory Linington as Henry Condell in the Northlight Theatre production of Lauren Gunderson’s The Book of Will. Photo by Liz Lauren.)