Episode 365. The Park Theatre

Published by austin on

[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]”External evening-1Opened in May 2013, the Park Theatre has already become the artistic center of Finsbury Park in London, and this week it hosts the eight-performance conclusion of our autumn tour of The Complete Works of William Shakespeare (abridged) [revised]. Creative Director Melli Bond talks with Matt Rippy about the creation of this brand-new intimate space, and reveals a sense of community, artistic hubs, chickens and eggs, buildings and funding, script acceleration, Finsbury Fleas, next season teases, and hopes for the future! (Length 20:43)[/vc_column_text][/vc_column][/vc_row]