Dominic Conti (Performer/Additional Material Hollywood) was discovered by RSC talent scouts in Chicago, performing America (abridged) with The Noble Fool Theater. He workshopped Hollywood (abridged) in Rohnert Park and St. Louis, premiered it at Pittsburgh Public Theatre, and tours it along with Comedy (abridged), Sports (abridged), Books (abridged), Bible (abridged) and America (abridged). Other regional theaters he’s worked with include: Plasticene, Steppenwolf, Second City, Williamstown Theatre Festival, Goodman, Westport Country Playhouse, Beaver Creek Theatre Festival, Madison Repertory, Chicago Shakespeare, Next, A Red Orchid, Apple Tree TYA, Mary-Arrchie, Griffin, Raven, Prop, Defiant, First Folio Shakespeare Festival, Lost Angeles Theatre and Odyssey Theatre Ensemble. Film/TV credits include: Martian American (Best Actor — Glendale International Film Festival, Best Actor in a Short — Los Angeles Comedy Festival), Stealth, I Am He, Nothing in Los Angeles, A Voodoo Possession, Another Stupid Day, The Interview (Best Actor in a Short — Chicago Comedy Film Festival, also co-writer/producer), April, Saturday, Shades of Hope, Fiona’s Fortune, The Roaring Twenties, Zombie Holocaust and You! and Fiasco. Web series: Broken Dreams Boulevard, The Family Curse, Red Scare and The Best Friend (also co-wrote three episodes; Won LAWebfest Award — “Outstanding Writing in a Comedy Series” and nominated for IAWTV Award — “Best Writing in a Comedy”).
Michael Faulkner (Performer/Additional Material Books) was an accomplished classically-trained actor before joining the RSC in 2001. Other accomplishments include his role as loving husband; producer of some award-nominated podcasts; his not-quite-nerdy yet not-quite-handsome looks that have enabled him to play average American men on numerous national television commercials; and small roles on such television hits as Strong Medicine, Angel, and The Tonight Show with Jay Leno. He disavows the notion that it is an accomplishment that all three of the above-mentioned television shows have been cancelled. Among his many non-accomplishments are the roles of millionaire, President of the United States, or Messiah.
Adam Long (Founding Member/Writer/Performer) began his professional life as an accountant for an anti-nuclear political action committee by day and bassist for an acoustic punk band by night. Then he put on a skirt and wig and became a founding member of the Reduced Shakespeare Company. Adam toured with the RSC, spent five years following The Grateful Dead, performed stand-up comedy in Canada, became a Buddhist, and finally settled in England where he lives in London with wife Alex, son Joe, daughter Tilly, friend John, four guinea pigs, a fish, two tortoises, a cat, and a small grey rabbit called Willard.
Reed Martin (Performer/Writer/Managing Partner) is a graduate of UC Berkeley, UC San Diego, The Bill Kinnamon School of Professional Umpire Training, and Clown College. He has performed in 46 states and 11 foreign countries, including New Jersey. Prior to joining the RSC in 1989, he was a clown with Ringling Brothers/Barnum & Bailey Circus where he spent two years frightening children and smelling of elephants. He lives in Northern California with his wife and two sons, all three of whom are much funnier than he is. Reed feels strongly that toilet paper should be fed over the top of the roll. (For a more extensive and less amusing bio, click here.)
Kurt Quinn (Performer) graduated from the University of Northern Colorado with a BA in acting (barely). While at UNCO, Kurt’s favorite roles included Mozart in Amadeus, Hugo in God’s Man In Texas, Gene in A Devil Inside, and Brighella in A Servant of Two Masters, among others. Prior to college, Kurt studied Commedia Dell’arte with John Rudlin at Centre Selavy in Grosbout (pronounced “gross butt”), France and toured southern Europe performing as Arlecchino (pronounced “Al Pacino”). In Los Angeles (pronounced “Los Angeles”), Kurt is a company member at Coeurage Theatre Company, LA’s only “Pay What You Want” theatre company, where favorite roles include Alfred Packer in Trey Parker’s Cannibal the Musical, Johnny in The Fourth Graders Present An Unnamed Love-Suicide, and Mortimer Mortimer in Failure: A Love Story. You might have seen him in national commercials for Yelp, Verizon, KIA and more. Kurt currently studies at the Groundlings Theater (barely). He also founded and performs with The Brand New Opry, an improvised bluegrass variety show. Kurt plays the banjo and invented a new folk instrument, the Bandrum. SAG/AFTRA www.kurtquinn.com.
Matt Rippy (Webmaster) ran away with the Reduced in ‘96 and has performed with them in the West End and on (or near) Broadway as well as various tours around the globe. Rippy acts as the Reduced webdude and from time to time he acts as director. Sometimes he even acts like a real actor in movies: he acted like a suave guy in Beyond the Sea, a bad guy in Day of the Dead, a good guy in the new Jack Ryan and a tough guy The Monuments Men. He also acted on TV as the real Captain Jack Harkness in Torchwood and acted on top of Billie Piper in Secret Diary of a Call Girl. Rippy knows one day he must grow up and act like a proper adult, but until then he’ll just keep acting the fool with the Reduced Shakespeare Company.
Dan Saski (Performer) has been helping the RSC reduce expectations for years. He’s performed internationally in The Complete Works of William Shakespeare (abridged), and regionally in The Ultimate Christmas Show (abridged) and The Complete History of Comedy (abridged). Dan was also in the workshop premiere of William Shakespeare’s Long Lost First Play (abridged), and was introduced to the RSC when he was seen in The Complete History of America (abridged). He’s been an actor in and around the SF Bay Area for fifteen years; and also teaches theater so he can pay rent. Dan is a proud alumni of The Meisner Technique Studio.
William Shakespeare (Dead Playwright) supposedly wrote some, most, or all of the 36 plays published in the “First Folio” as well as Pericles, Two Noble Kinsmen, and reams of poetry. He must have been an interesting guy to have written all those keen plays, but there is no evidence that he was fun at parties, handy around the house, or even good at Chinese checkers. The RSC claims that were Shakespeare alive today, he would not only approve of their interpretations of his plays, but would also go bowling with them after the show. As a foolhardy seventeen year old, Will wrote a massive hundred-hour long play that, internal evidence suggests, he never meant to be performed. Nonetheless, as a public service, we present it to the world, and you can’t claim to have seen Shakespeare’s complete works until you’ve seen William Shakespeare’s Long Lost First Play (abridged).
Daniel Singer (RSC Founder/Writer/Performer), has been a theatrical impresario from the moment he looked up the word ‘impresario’ in the dictionary, founding his first company, General Amazement Theater in Santa Rosa, California, when he was just 18. Upon his return from studying “proper dramatic technique” in London, he became a director at the original Renaissance Pleasure Faire, where he founded the subversive Reduced Shakespeare Company, whose three-man farce The Complete Works of William Shakespeare (abridged) enjoyed a record-breaking run in London’s West End and has since become one of the world’s most popular comedy shows. In 1989 Daniel hung up his doublet-and-hose to design theme park attractions at Walt Disney Imagineering, where he also co-founded the Flower Street Players, an in-house theater company for Disney employees. Since 2000, Daniel has been a freelance designer, writer and event producer in Los Angeles. His new hit comedy A Perfect Likeness chronicles Lewis Carroll’s (fictitious) attempt to get his literary hero Charles Dickens to pose for a photograph in 1866 Oxford. Coming soon to a theater near you!
Teddy Spencer (Performer) is a Northern California native and having a “hella sweet” time since joining the RSC for the World Premiere of William Shakespeare’s Long Lost First Play (abridged). Regionally, Teddy has worked with the Dallas Theater Center, Milwaukee Repertory Theatre, the Folger Theatre, Capital Stage Company, Sacramento Theatre Company, Notre Dame Shakespeare Festival, Texas Shakespeare Festival, Arabian Shakespeare Festival, Napa Valley Shakespeare, the Theatre at Monmouth, the Undermain, and Summer Repertory Theatre. Teddy has studied Shakespeare throughout the country, most notably with master teachers Glen Close, Ben Crystal, Cathrine Fitzmaurice, Dennis Krausnick, and Dudley Knight. Teddy holds a BA in both Musical Theatre and Psychology from California State University, Chico, and an MFA in Acting from Southern Methodist University. He is an Artistic Associate with the Arabian Shakespeare Festival, a Company Member with SF PlayGround, and the proud father of a dog named Dweebs.
Austin Tichenor (Writer/Performer/Managing Partner) is a fifth-generation Californian born on the 54th anniversary of the San Francisco Earthquake and the 185th anniversary of Paul Revere’s Ride, which makes him older than he looks but short for his weight. Since his debut writing and performing his boldly conceived kindergarten puppet show, Austin’s interest in sticking his hands up the backsides of interesting characters continues to this day.
An intellectual welterweight, Austin remains disappointingly average despite three very expensive degrees (two from UC Berkeley and one from Boston University). For seven seasons, he served as Associate Producing Director of the American Stage Festival in Milford, NH, writing over 20 plays and musicals for young audiences, as well as directing summer-stocky things like The Foreigner and Jesus Christ Superstar. His productions there of A Christmas Carol and Frankenstein (which he wrote) and Much Ado About Nothing and The Tempest (which he directed) were seen by literally dozens of people. Fortunately, children’s theatre, summer-stock Shakespeare and puppets proved to be the ideal training ground for the RSC, which he joined in 1992.
He created the roles of The Conspirator Guy, Moses, Adolph Hitler, the World’s Ugliest Rhinemaiden, Don Quixote, Lucas Butch Cassidy Rowdy Rooster Sundance Jennifer McShane, ‘Scoop’ Tichenor, King Herod, and Chorus in the Complete (abridged) shows he also co-wrote. He’s performed his own material on the BBC, NPR, and England’s Channel 4; other writings have appeared in The Independent newspaper in London, the Washington Post, the Pittsburgh Post-Gazette, the New York Times Book Review, and the men’s room wall of Spenger’s Fish Grotto in Berkeley, California. As an actor, Austin played recurring roles on 24, Alias, Felicity, Ally McBeal, and The Practice, as well as guest starring as Guys In Ties in many hours of episodic television. With Reed Martin, he also co-created and co-starred in the TBS pilot The Week Reduced.
Austin possesses a heartwarming spirituality and a delightful suspicion of organized religion; over the years, he’s been an Agnostic (lapsed), a Pantheist (reformed), and now considers himself a Utilitarian – he believes in God when it’s useful. This theological confusion is described in his comic memoir (written with Reed Martin) called How The Bible Changed Our Lives (Mostly For The Better), available as an e-book at blaspheming online bookstores everywhere. He also collaborated with Reed on the definitive compendium of Shakespearean scholarship Reduced Shakespeare: The Complete Guide for the Attention-Impaired (abridged); and his stage adaptations of Frankenstein and Kafka’s “The Metamorphosis” (Dancing on the Ceiling) are published by Broadway Play Publishing.
He also produces and hosts the podcast award-nominated Reduced Shakespeare Company Podcast. He has two kids (one of each) and lives in Chicago, where he is writing the Great American Novel and the Terrible Lithuanian Screenplay.
Jess Winfield (Founding Member/Writer/Performer) was an original member of the RSC, co-author of The Complete Works of William Shakespeare (abridged), and performed with the troupe from its founding in 1981 until 1992, when he realized he’d played the title role of Hamlet more times than John Gielgud and Laurence Olivier combined and suddenly felt very old. He left the troupe to write and produce animated television for the Walt Disney Company, which made him feel young again — until he’d been there for ten years, at which point he felt old again. He left Disney to write My Name Is Will — A Novel of Sex, Drugs, and Shakespeare (Twelve Books). Depicting excessive drug use and promiscuous sex by both a would-be young Shakespeare scholar in the 1980s and the 18-year old Immortal Bard himself in the 1580s made Jess feel young again; but then he and Daniel Singer revised the Complete Works in honor of its 20th anniversary and directed it in the West End, which made him feel old again. He now lives in Hollywood with his wife (and original RSC costume goddess) Sa, and is working on his second novel… which makes him feel like he’s in his forties. www.jesswinfield.com.
Alli Bostedt (Company Manager, Stage Manager, Wardrobe Supervisor) took her first foray into theatre at age 4 when she wandered away from a karate class and ended up in a talent show. She soon discovered that every stage has a backstage and has attempted to remain there ever since, though real life does occasionally interfere. Alli recently left the action-packed world of insurance processing and is delighted to be backstage with the RSC. A native of Las Vegas, Alli lives in California with a talking shower curtain and an extensive rubber ducky collection.
Jane Martin (General Manager): Prior to joining the RSC and sleeping with Reed, Jane was manager/artistic director of the Hawk’s Well Theatre in Sligo, Ireland and then producer of the physical comedy troupe The Right Size, in London, England. In her copious free time away from RSC business, Jane spends time rearing two boys (three, if you count Reed) and teaching Theater at Sonoma Valley High School.
Zach Moore (Sound Designer) is super-extra happy to return to the bosomy warm embrace of the RSC. He stage managed the first American tour of The Complete Millennium Musical (abridged), then led them to Edinburgh, where he drank many Guinnesses (Guinnii?). He’s worked on all of the RSC shows, in one way or another, as well as done audio work on the CD release of Bible. Zach’s a native of Pittsburgh, a freelance Sound Designer, has designed over 45 shows for the Pittsburgh Public Theater as well as being their Sound Engineer, rocks on guitar with his band Hero Destroyed, loves his Steelers, has seven pet rodents, and enjoys run-on sentences.
Elaine M. Randolph (Stage Manager) Elaine’s credits include stage management (compulsive) and lighting design (creative) in theater, music, and dance, for the Kennedy Center, Walnut Street Theater, Actors Theater of Louisville, Theatre J, Washington Stage Guild, and 12 years at Totem Pole Playhouse. Recent projects include The Suzanne Farrell Ballet, Dana Tai Soon Burgess, Bowen McCauley Dance, Barbara Cook in Concert, The International Ballet Festival, The Sondheim Celebration and The National Heritage Awards. Favorite projects include: Quilters, A Midsummer Night’s Dream, Noises Off, Pump Boys & Dinettes, Radio Gals, A Tuna Christmas, Forever Plaid, and A Christmas Carol.
Jon Weber (Composer/Arranger) has toured all over the world and received numerous honors for performance and composition. “A virtuoso pianist” (UK’s Jazz Journal International), Jon has opened for jazz luminaries Pat Metheny, Freddie Hubbard and Buddy Rich, as well as selling out Carnegie Hall four times and scoring for television since 1987. His newest CD, Simple Complex, was voted 2004’s #1 Jazz CD by the Chicago Tribune, Swiss National Radio, Norwegian National Radio, Estonian National Radio, and BBC Online. His website is www.jonwebermusic.com. Why he’s worked with the RSC on three shows is anybody’s guess.