Episode 474. The Bicycle Men

Published by austin on

“Adobe Photoshop PDFJoe Liss is an actor, writer, and sort of the improviser’s improviser, a Second City alum who’s performed onstage in Chicago, LA, off-Broadway, and at the Edinburgh Fringe Festival. He’s also written for film and television and is the co-author of The Bicycle Men, a very funny musical which has played in London, Edinburgh, and around the US. Joe talks about the musical’s origins and ruminates on the power of redemption, the value of la bicyclette as une métaphore, Franco-American influences, atypical Scottish response, musical theatre dreams, comic stereotypes, cynical lullabies, and the universal love of all things French. (Length 21:26)

Podcast: Download (19.8MB)

Subscribe: Spotify | RSS | More

Categories: Reduced Shakespeare Company Podcast
Tags:

1 Comment

Elizabeth Carbone · February 2, 2016 at 4:53 pm

Mr. Liss,
Small world story, at a party Sunday afternoon with a bunch of music peeps. Your cousin was next to me at one point, we began chatting. He has the Liss look.

Leave a Reply

Avatar placeholder

Related Posts

Rosencrantz And Guildenstern

For his final production as thirty-year artistic director of Chicago's Tony-winning Court Theatre, Charles Newell transforms Tom Stoppard's Rosencrantz and Guildenstern Are Dead into an unexpectedly joyful celebration of legacy and theater. Newell reveals his lengthy relationship with not only Stoppard's plays but with the man himself, and shares how he cast two halves of a whole; how he chose to respond instinctively to what was happening in rehearsal rather than adhere to an intricate plan; and how he embraced the counterintuitive and seemingly-oxymoronic phrase “joyful requiem.” (PICTURED: Erik Hellman and Nate Burger as Guildenstern and Rosencrantz in the Court Theatre production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead, directed by Charles Newell. Photo by Michael Brosilow.) (Length 20:20)

Michelle’s ‘Green World’

Michelle Ephraim – a Professor of English and (with Caroline Bicks), the cohost of the Everyday Shakespeare podcast and the co-author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas – joins us this week to talk about her frank and funny new book, Green World: A Tragicomic Memoir of Love & Shakespeare. Michelle reveals she discovered Shakespeare surprisingly late; how “fun” is a a perfectly fine description of her sometimes fraught memoir; the shared curse of meeting hero Stephens; how Shakespeare became a source of both pain and solace in the wake of a parent’s death; how her relatively cushy job became surprisingly hazardous; and, finally, how Shakespeare – a dead European white man – became a very relatable force for inclusion. (Length 19:31)

Visiting ‘Shakespeare’s House’

Richard Schoch discusses Shakespeare’s House: A Window Onto His Life and Legacy, his wonderful new history of not only the building in Stratford-upon-Avon that William Shakespeare was born in, but how that building survived and became ground zero in the Shakespeare tourism industry. Schoch reveals how he discovered the dual focus of his book; how it took almost 200 years for people to realize the treasure that still stood in their midst; the shenanigans played by people who first depicted Shakespeare’s birthplace; the important distinctions between restoring a house and remaking it; the trick of hitting that sweet spot between writing an academic history and a popular one; and how the most important person in Shakespeare’s birthplace is not Shakespeare but the visitor. (Length 18:52)